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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Food Talks | 4301 | Emily Groves |
Masters of Advanced Studies |
2019 |
École Polytechnique Fédérale de Lausanne | Nicolas Henchoz |
Design Research for Digital Innovation |
AR, food labelling, user experience |
| Digital Colonization and Ethical Reconstruction: Digitizing Public Heritage in Developing Countries | 4300 | Najam-Ul Assar |
MA Media Arts Cultures |
2021 |
Donau-Universität Krems | Francesca Franco, Oliver Grau |
Image Science |
|
| Art and Cybernetics. From the world as an interface to the multi-plane system in the time-now | 4299 | Selcuk Artut |
2021 |
Universidad de Castilla-La Mancha (UCLM) | José Ramón Alcalá Mellado |
Art |
||
| Designing Interactive Audio Guide for Culture & Heritage Tourism | 4298 | Md. Arif Ahmad |
Master of design |
2020 |
PDPM Indian Institute of Information Technology, Design and Manufacturing, Jabalpur | Tripti Singh |
Design |
Culture, heritage, museum, Virtual guide, Voice technology, Augmented Reality |
| Games as artistic medium: Interfacing complexity theory in game-based art pedagogy | 4297 | Ryan M. Patton |
Ph.D. |
2011 |
Pennsylvania State University | Karen Keifer-Boyd, Charles Richard Garoian; Matthew Kenyon; Brian K Smith |
Art Education |
pedagogy; art; art education; video games; games; complexity theory |
| A Virtual Architecture Framework for Immersive Learning Environments | 4295 | Pierre-Francois Gerard |
PhD |
2021 |
Goldsmiths University of London | William Latham, Frederic Fol Leymarie |
Computing |
Virtual Architecture Framework, Immersive, VR |
| AutoGraff: towards a computational understanding of graffiti writing and related art forms | 4293 | Daniel Berio |
PhD |
2021 |
Goldsmiths, University of London | Frederic Fol Leymarie, Rebecca Chamberlain, Prof. Luca Citi |
Computing |
Graffiti, Motor Control, Calligraphy, Computer graphics, CAGD, Graphonomics, Shape |
| Digitizing the Aura: A Systems Update for the Contemporary Art World | 4292 | Emilie Trice |
Master of Arts |
2020 |
University of Denver | Rafael Fajardo, Timothy Weaver, Shimelis Assefa |
Emergent Digital Practices |
Art history, Art market, Blockchain, Computational philosophy, Cybernetics, Networked cultures |
| Parafiction as Method and Matter | 4291 | Rebecca Smith |
Doctor of Philosophy |
2020 |
Liverpool John Moores University | Colin Fallows, Joasia Krysa, Mark Wright |
History of Art and Fine Art |
Art History, Artistic Practice, Contemporary Art, Digital, Fiction as Method, Internet, Matter, Parafiction, Technology |
| Peep Media in Digital Times: "Track-track: Let’s follow the cat!" A reflection on children’s data processing through a microworld | 4290 | Maria Esperanza Sasaki Otani |
Master of Arts |
2021 |
Universität für künstlerische und industrielle Gestaltung – Kunstuniversität Linz | Univ.-Prof. Mag.art. Manuela Naveau PhD, Univ.-Prof. Dr. Christa Sommerer & Dr. phil. Penesta Dika |
Interface Cultures / Media Institut |
Peep media, peep show, biometric data, data processing, children's rights in digital times |