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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Programmoire: refiguring the archetype of the witch for a political agency in the technocapitalist present | 4289 | Batool Desouky |
Masters of Fine Art in Computational Art |
2020 |
Goldsmiths, University of London | Helen Pritchard |
Computing |
technology, magic, tech-magic, technosolutionism, agency, archive, magic squares, combinatorics |
| Synaesthetic Sanctuary | 4288 | William Shaw |
Masters of Design Innovation |
2021 |
Victoria University of Wellington, School of Design | Anne Niemetz |
Media Design |
Audio-visual, bird song, New Zealand, generative design |
| The Transition and Practice of Subjectivity: Interactive Art Driven by Biosignals | 4287 | Chiao-chi Chou |
Master of Science |
2020 |
National Tsing Hua University | Chia-Wei Li |
International Intercollegiate Ph.D. Program. |
Bio-IoT,Empower,Bio-art,biosignal |
| Research and Development of an Active BiOlfactory Display and Its Integration with Virtual Reality | 4286 | You-Yang Hu |
Master |
2021 |
National Taiwan University | Yi-Ping Hung, Jin-Yao Lin |
Graduate |
olfactory experience, olfactory display, vortex generator, vortex ring, virtual reality |
| Inverted Landscapes: Photomedia and the More-than-Representational | 4282 | Rebecca Najdowski |
PhD |
2020 |
Victorian College of the Arts, University of Melbourne | Kiron Robinson, Dr Katve-Kaisa Kontturi |
Visual Art |
photography; video; 3D modelling; nature; landscape; posthumanism; new materialism |
| Design Intervention in Bhuvan | 4281 | RAM RAJ VISHVAKARMA |
Master of Design |
2020 |
78 | Tripti Singh |
User Interface Design |
ISRO, Bhuvan, NRSC, Geo-Portal, Visual Communication Design, User Experience Design, User interface Design, Design Language, Design Standards, Maps, Material Design. |
| Algorithms in Art | 4280 | Magda Stanová |
PhD in Fine Arts |
2016 |
Academy of Fine Arts in Prague | Tomáš Van?k |
fine art |
creative process, perception of art, fade rate, algorithm, pleasure, fitness function, ambiguity, trigger miners, thrill combo |
| Emersive VR: An Expanded Immersive VR Practice | 4277 | Haoran Chang |
MFA |
2021 |
University of California Santa Cruz | Mark Nash, Edward Shaken, Micha Isbister, Isaac Julien, Micha Cardenas |
Digital Art and New Media |
Virtual Reality, Digital Media Art, Immersion, Emersion, contemporary art, New Media Art, |
| Interpreting Electroacoustic Audio-visual Music | 4276 | Andrew Knight-Hill |
PhD |
2013 |
De Montfort University | Leigh Landy, Bret Battey |
Music |
Practice Research, Audience perception, interpretation, meaning |
| Fieldwork – a conceptual methodology linking science and art. | 4275 | Donald Fortescue |
PhD |
2019 |
Australian National University | Christopher McAuliffe |
School of Art and Design / Visual Arts |
Antarctica, neutrino, South Pole, sculpture, sound, fieldwork, noise, signal, pareidolia, artefact, instrument, transcription, transduction. |