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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Mapping Dynamic Relations in Sound and Space Perception | 3561 | Luca Forcucci |
PhD |
2015 |
De Montfort University, Leicester, UK | Dr. Leigh Landy, John Richards |
Music, Technology and Innovation Research Lab / Music & Sonic Arts |
Space, Sound, Intention, Perception, Mental Imagery |
| Saving Metropolis: Body and City in the "Metropolis" Tales | 3394 | Lawrence Bird |
Ph.D. |
2009 |
McGill | Alberto Pérez-Gómez, Thomas Lamarre, Ricardo Castro |
History & Theory of Architecture |
Body, City, Cinema, Media, Architecture, Urban, Deleuze, Merleau-Ponty |
| Symbiogenic Experience and the Emergent Arts: Cybernetics, Art and Existential Phenomenology | 3176 | Carlos Castellanos |
Phd |
2014 |
Simon Fraser University | Diane Gromala, Philippe Pasquier, Thecla Schiphorst |
School of Interative Arts & Technology |
interactive art, cybernetics, emergence, co-evolution, autopoiesis, phenomenology, Merleau-Ponty, Gordon Pask, machine learning, embodiment |
| Transdisciplinary artistic production from the field of biology and technology in the second decade of the 21st century | Hamilton Mestizo |
PhD |
2023 |
Complutense University of Madrid | Jaime Munárriz |
Fine Arts |
ffff |
|
| Growing Semi-Living Art | 3266 | Ionat Zurr |
PhD |
2008 |
The University of Western Australia | Ian McLean |
Architecture, Landscape and Visual Arts |
tissue culture, semi living, bioart, art science, tissue engineering, tissue, extended body, ethics |
| Untying the knot of dance expertise: Enabling kinesthetic transfer in technologically-mediated spaces | Shannon Cuykendall |
PhD |
2022 |
Simon Fraser University | Thecla Schiphorst |
School of Interactive Arts and Technology |
Dance Expertise; Dance Technology; Kinesthetic Interaction; Enaction |
|
| Instants of Metamorphosis: The collective as process; the process as system | 4171 | Clarissa Ribeiro |
Ph.D. |
April 1st 2011 |
USP University of Sao Paulo, Brazil/ University of Plymouth, UK | Gilbertto Prado, Roy Ascott |
ECA USP School of Communication and Arts / Media Arts |
Antenarratives, Collective creative processes in digital arts, Complex adaptive systems, Complexity, Emergence, Quantum Entanglement, Self-organization, Storied spaces |
| A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance | 3727 | Adriana Sá |
PHD |
2016 |
Goldsmiths, University of London | Atau Tanaka, Mick Grierson |
Dep. of Computing |
NIME, audio-visual performance, music, 3D environments, perception, attention |
| Defining Data as an Art Material | 4283 | Julie Freeman |
PhD |
2018 |
Queen Mary University of London | Mark Sandler, Geraint Wiggins |
Media & Art Technology |
data, art, taxonomy, naked mole-rats, data art, data visualisation, kinetic sculpture, netart |
| Designing Playful Systems | 4163 | Michael Straeubig |
Ph.D. |
2020 |
University of Plymouth | Jane Grant, John Matthias, Mike Phillips |
Art/Design/Architecture, Transdiciplinary |
systems, play, practice-based, Luhmann |