Click on a column header to sort the table in ascending or descending order
| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Cinematic Affect in a Time of Ecological Emergency | 104225 | Andrew Denton |
PhD |
2016 |
Monash Univesrity | Jan Bryant |
Art, Design, & Architecture |
ecological emergency, environmental ethics, environment, ethics, affect, cinema, hyperobjects, oil, slow cinema, politics of aesthetics, climate change, global warming, consumerism, art and science, petrocapitalsm, capitalism, green economics, environmental philosophy, sensation, emotion |
| Art, Drones and Hacktivism: The Invisible seen from Above | Joana Silva |
MFA |
2022 |
University of Lisbon - Faculty of Fine Arts | Mónica Mendes |
Multimedia Art |
Drone Art, Hacktivism, Counter-look, Augmented Reality, Interactive Installation |
|
| TH1NKBLENDER: Speculating Spaces for Future Transdisciplinary Practices and the Spontaneous Encounters of Transdisciplinary Minds | 4117 | Dawn Faelnar |
Master of Arts in Interface Culture |
2020 |
Kunstuniversität Linz (Universität für künstlerische und industrielle Gestaltung) | Laurent Mignonneau, Christa Sommerer |
Interface Culture / Art, Design, Science and Technology |
artscience, transdisciplinary, cross-disciplinary, interdisciplinary, multidisciplinary, collaboration, artscitech |
| From interaction to post-participation: the disappearing role of the active participant | 4053 | Varvara Guljajeva |
PhD |
2018 |
Estonian Academy of Arts | Raivo Kelomees, Pau Waelder |
Art and Design, Doctoral School |
Interactive art, post-participation, surveillance, interactive systems, hybrid art, practice-based research, post-digital |
| The Art of Cyborgs: A Techno-social Approach to Contemporary Culture | 4056 | Minka Stoyanova |
PhD |
2019 |
City University of Hong Kong | Maurice Benayoun, Daniel Howe, Damien Charrieras |
Creative Media |
Cyborg, Cybernetics, Art, Digital Art, Media Art, Art History |
| Audiovisual Installation as Ecologically Performativity | 4121 | Teresa Connors |
PhD |
2018 |
The University of Waikato | Ian Whalley, Kenneth Fields |
Music/Interdisiplinary |
Audiovisual Installation, Nonlinear processes, Ecological Performativity |
| Im-Medea: Posthumanism and Remediation in Music Theatre | 4040 | Thanos Polymeneas-Liontiris |
PhD |
2019 |
Unoversity of Sussex | Thor Magnusson, Nicholas Till |
Media, Film & Music |
Posthumanism, Cybernetics, Remediation, Music Theatre, Cybernetic performance ecosystems, human installations |
| Cyborg botany : augmented plants as sensors, displays and actuators | 4158 | Harpreet Sareen |
Media Arts and Sciences |
2017 |
Massachusetts Institute of Technology | Pattie Maes |
MIT Media Lab |
cyborg, plants, technology, cybernetics, electronics |
| Art and Biotech: Bay Area Networks, 1965-85 | 4200 | Megan Hines |
PhD |
2021 |
Stony Brook University | Katy Siegel, Zabet Patterson, Andrew Uroskie, Fred Turner |
Art History and Criticism |
media art, biotechnology, video art, performance, computer art |
| Algorithmic Landscapes: the use of Artificial Intelligence for Poetic Creation | Matheus Da Rocha Montanari |
PhD |
2020 |
University of Sao Paulo | Gilberto Prado |
School of communication and arts |
Algorithms |