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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Art of Cyborgs: A Techno-social Approach to Contemporary Culture | 4056 | Minka Stoyanova |
PhD |
2019 |
City University of Hong Kong | Maurice Benayoun, Daniel Howe, Damien Charrieras |
Creative Media |
Cyborg, Cybernetics, Art, Digital Art, Media Art, Art History |
| Audiovisual Installation as Ecologically Performativity | 4121 | Teresa Connors |
PhD |
2018 |
The University of Waikato | Ian Whalley, Kenneth Fields |
Music/Interdisiplinary |
Audiovisual Installation, Nonlinear processes, Ecological Performativity |
| Im-Medea: Posthumanism and Remediation in Music Theatre | 4040 | Thanos Polymeneas-Liontiris |
PhD |
2019 |
Unoversity of Sussex | Thor Magnusson, Nicholas Till |
Media, Film & Music |
Posthumanism, Cybernetics, Remediation, Music Theatre, Cybernetic performance ecosystems, human installations |
| Cyborg botany : augmented plants as sensors, displays and actuators | 4158 | Harpreet Sareen |
Media Arts and Sciences |
2017 |
Massachusetts Institute of Technology | Pattie Maes |
MIT Media Lab |
cyborg, plants, technology, cybernetics, electronics |
| Art and Biotech: Bay Area Networks, 1965-85 | 4200 | Megan Hines |
PhD |
2021 |
Stony Brook University | Katy Siegel, Zabet Patterson, Andrew Uroskie, Fred Turner |
Art History and Criticism |
media art, biotechnology, video art, performance, computer art |
| Algorithmic Landscapes: the use of Artificial Intelligence for Poetic Creation | Matheus Montanari |
Master's |
2020 |
University of São Paulo | Gilbertto Prado |
School of communication and arts |
Algorithms |
|
| The Community Bee Clinic | 4189 | Lisa Korpos |
Master of Fine Art |
2019 |
University of California San Diego | Ricardo Dominguez and Lisa Cartwright, James Nieh, Jordan Crandall |
Visual Arts |
Fine Art, Sci-Art, Ecology, Speculative design, Social Practice, Honeybee, Installation |
| Spatial authoring of virtual exhibitions using 3D visualization of the correlation among artwork metadata | Inhwa Yeom |
Master's |
2021 |
Korea Advanced Institute of Science and Technology (KAIST) | Woontack Woo |
Culture Technology |
3D authoring, Virtual exhibition, Virtual curation, Metadata visualization |
|
| Bygone Birds: Towards the Understanding of Exctinct Avifauna Imagery in Galleries and Museums | Theo Hall |
Master's |
2022 |
Liverpool John Moores University | Mark Roughley |
Liverpool School of Art & Design |
Extinction Studies, Museology, Taxidermy, Ornithology, Museum Studies, Age of Extinction, Anthropocene. |
|
| PERFORMING IDENTITIES. Self-Representation in Art from the Renaissance to Virtual Worlds | Tina Sauerlaender |
PhD |
2022 |
University of Arts | Christa Sommerer |
Interface Cultures |
Self-Representation, Visual Arts, Digital Art, Performance Art, VR Art, Performing Identities, Identity, Self-Portraiture, History of Self-Portraiture, Art History, Renaissance |