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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| LA PENSEE SYSTEMIQUE ET LA MUSIQUE Les rapports de Iannis Xenakis et d’Agostino Di Scipio à la pensée systémique. La proposition d’un modèle systémique de la musique symbolique. | 4323 | Phivos-Angelos Kollias |
Master |
2007 |
UNIVERSITÉ PARIS 8 - VINCENNES À ST-DENIS | M. Horacio VAGGIONE |
Computer Assisted Composition |
Composition Algorithmique Cybernétique Di Scipio, Agostino Ecosystème Hypothèse de Sonorités de Second Ordre Interface Eco-Systémique Audible Modèle Systémique de la Musique Symbolique Musique Interactive Musique Stochastique Pensée Systémique T |
| Identification, description, classification and analysis of works based on artistic representation of brain activity data. | 4322 | Kepa Landa Maritorena |
PhD in Research in Arts and Humanities |
2016 |
University of Castilla-la Mancha, Fine Arts School of Cuenca | José Ramón Alcalá Mellado PhD |
Art |
Art and brain activity data, data visualization, BCI, Brain computer interface, bio-feedback, EEG, FMRI |
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |
| PHOTOGRAPHIC ABSTRACTIONS: AN EXPERIMENT OF ABSTRACT EXPRESSIONISM IN PHOTOGRAPHY | 4319 | Marcia Brito |
Master of Fine Arts (MFA) in Visual Arts |
2019 |
Jacksonville University, FL. | Bill Hill |
Fine Arts |
PHOTOGRAPHIC ABSTRACTIONS, PHOTOGRAPHIC EXPERIMENT, ABSTRACT EXPRESSIONISM, PHOTOGRAPHY |
| Between Bodies | 4318 | Nina Waisman |
MFA |
2008 |
UC San Diego (UCSD) | Jordan Crandall, Sheldon Brown, Jennifer Pastor, Miller Puckette |
MFA Visual Arts / Interdisciplinary |
Interdisciplinary, new media, interactive, installation, dance, sound art, happening, Tijuana, US-Tijuana, borders, attuning, rhythm, gesture, movement |
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |
| Reanimator/Reflection: Creating Mirrors through Time with AI, Sound, Video and Live-generated Art in the Dark Age of the COVID-19 Pandemic | Eric Millikin |
Master of Fine Arts |
2021 |
Virginia Commonwealth University | Bob Paris, Paul Rucker, Semi Ryu, Wes Taylor |
Fine Arts / Kinetic Imaging |
artificial intelligence art, art and technology, sound art, video art, generative art, COVID-19, horror literature |
|
| Real and Imaginary Places: The Experience of Sound, Memory, and Space | 4315 | Cathleen Rose Grado |
M.F.A |
2021 |
University at Buffao | Mark Shepard, Cort Lippe, Reinhard Reitzenstein |
Media Study/Sound Art |
sound art, sound experience, architecture, listening, presence, installation |
| Craft Fiction | 4314 | Karen Modrei |
MFA |
2021 |
Konstfack, Stockholm | Andrea Peach |
Craft, Textiles |
craft process, dialogue, fiction, domestic knitting machine, empathy, language, technology, techno-hippie, heteroglossia |
| Digital light as a factor in the formation of technogenic sensuality (on the example of the works of Refik Anadol) | 4313 | Olga Shchedrina |
M.A. |
2021 |
Russian State University for the Humanities (RSUH) | Irina Zakharchenko |
Cultural Studies |
media theory, media studies, digital light, technogenic sensuality, techno-human condition, light art |