Click on a column header to sort the table in ascending or descending order
| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Species interactions and climate change in the loss of Joshua trees and the role of eco-art for understanding multispecies connections | 3955 | Juniper Harrower |
PhD |
2019 |
UC Santa Cruz | Gregory Gilbert |
Environmental Studies |
art/science, interdisciplinary, climate change, species loss, symbiosis, Joshua trees, symbiosis, social practice art |
| A Speculative Assemblage: Design of Image-driven Interactive Experiences | Weidi Zhang |
PhD |
2022 |
University of California Santa Barbara | George Legrady |
Media Arts and Technology Program |
Assemblage |
|
| Deep Visual Instruments: Realtime Continuous, Meaningful Human Control over Deep Neural Networks for Creative Expression | 4256 | Memo Akten |
PhD |
2021 |
Goldsmiths, University of London | Mick Grierson, Rebecca Fiebrink |
Computing and the Arts |
Machine Learning, Deep Learning, Artificial Intelligence, Creative AI, Computational Creativity, Expressive Human Machine Interaction, Visual Instruments, Computer Vision |
| A Relational Ecology of Photographic Practices: Towards a Non-anthropocentric Approach to Photography | 4207 | Jacqueline Knight |
Doctor of Philosophy |
2021 |
University of Plymouth | Dr Michael Punt |
School of Art, Design, and Architecture |
Photography, Contact sheet, Decisive moment, computational photography, operational images, machine seeing, relational ecology, distributed cognition, photography and cognition, photography and collaboration, new materialism, posthuman |
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
UC Santa Barbara | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
Université Paris 8 Vincennes–Saint-Denis | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
UC Santa Barbara | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
Université Paris 8 Vincennes–Saint-Denis | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Electro-Somaesthetic Music: spatial approaches, theorization and creative experiments. | Alexis Crawshaw |
PhD |
2022/2023 |
UC Santa Barbara | Anne Sedes |
Esthétique, Sciences et Technologies des Arts, Spécialité Musique |
Computer music, sound art, spatial music, spatial sound, spatial computing, somaesthetics, somatics, vibrotactile music, haptic music, haptics, virtual environments, spatiotemporal, sound engineering, biomechanics, acoustics, spatial rendering, wearables, apparent motion illusion, haptic illusion, kinaesthetic illusion, vection |
|
| Electro-Somaesthetic Music: spatial approaches, theorization and creative experiments. | Alexis Crawshaw |
PhD |
2022/2023 |
Université Paris 8 Vincennes–Saint-Denis | Anne Sedes |
Esthétique, Sciences et Technologies des Arts, Spécialité Musique |
Computer music, sound art, spatial music, spatial sound, spatial computing, somaesthetics, somatics, vibrotactile music, haptic music, haptics, virtual environments, spatiotemporal, sound engineering, biomechanics, acoustics, spatial rendering, wearables, apparent motion illusion, haptic illusion, kinaesthetic illusion, vection |