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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
UC Santa Barbara | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
Université Paris 8 Vincennes–Saint-Denis | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
UC Santa Barbara | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Computational Paideia through the New Media Arts: Toward the embodiment of value, meaning, and holistic thinking in information | Alexis Crawshaw |
PhD |
2022 |
Université Paris 8 Vincennes–Saint-Denis | JoAnn Kuchera-Morin |
Media Arts and Technology Program |
new media arts, digital arts, cognitive science, creative computing, paideia, STEM, STEAM, THEMAS, transdisciplinary, pedagogy, education, learning sciences, speculative design, critical making, critical design, design fiction, worldmaking, utopia, physical computing, virtual reality, design, culture, cultural-historical activity theory, affordance, situated cognition, creativity |
|
| Electro-Somaesthetic Music: spatial approaches, theorization and creative experiments. | Alexis Crawshaw |
PhD |
2022/2023 |
UC Santa Barbara | Anne Sedes |
Esthétique, Sciences et Technologies des Arts, Spécialité Musique |
Computer music, sound art, spatial music, spatial sound, spatial computing, somaesthetics, somatics, vibrotactile music, haptic music, haptics, virtual environments, spatiotemporal, sound engineering, biomechanics, acoustics, spatial rendering, wearables, apparent motion illusion, haptic illusion, kinaesthetic illusion, vection |
|
| Electro-Somaesthetic Music: spatial approaches, theorization and creative experiments. | Alexis Crawshaw |
PhD |
2022/2023 |
Université Paris 8 Vincennes–Saint-Denis | Anne Sedes |
Esthétique, Sciences et Technologies des Arts, Spécialité Musique |
Computer music, sound art, spatial music, spatial sound, spatial computing, somaesthetics, somatics, vibrotactile music, haptic music, haptics, virtual environments, spatiotemporal, sound engineering, biomechanics, acoustics, spatial rendering, wearables, apparent motion illusion, haptic illusion, kinaesthetic illusion, vection |
|
| Cinematic Affect in a Time of Ecological Emergency | 104225 | Andrew Denton |
PhD |
2016 |
Monash Univesrity | Jan Bryant |
Art, Design, & Architecture |
ecological emergency, environmental ethics, environment, ethics, affect, cinema, hyperobjects, oil, slow cinema, politics of aesthetics, climate change, global warming, consumerism, art and science, petrocapitalsm, capitalism, green economics, environmental philosophy, sensation, emotion |
| Art, Drones and Hacktivism: The Invisible seen from Above | Joana Silva |
MFA |
2022 |
University of Lisbon - Faculty of Fine Arts | Mónica Mendes |
Multimedia Art |
Drone Art, Hacktivism, Counter-look, Augmented Reality, Interactive Installation |
|
| TH1NKBLENDER: Speculating Spaces for Future Transdisciplinary Practices and the Spontaneous Encounters of Transdisciplinary Minds | 4117 | Dawn Faelnar |
Master of Arts in Interface Culture |
2020 |
Kunstuniversität Linz (Universität für künstlerische und industrielle Gestaltung) | Laurent Mignonneau, Christa Sommerer |
Interface Culture / Art, Design, Science and Technology |
artscience, transdisciplinary, cross-disciplinary, interdisciplinary, multidisciplinary, collaboration, artscitech |
| From interaction to post-participation: the disappearing role of the active participant | 4053 | Varvara Guljajeva |
PhD |
2018 |
Estonian Academy of Arts | Raivo Kelomees, Pau Waelder |
Art and Design, Doctoral School |
Interactive art, post-participation, surveillance, interactive systems, hybrid art, practice-based research, post-digital |