Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Dark Design: Methodology for Ethics of Generative Modeling Practices in Biodesign Based on Machine, AI and Animal Ethics | 4311 | Matej Vakula |
Ph. D. |
2021 |
Kathryn High, Shawn Lawson, Oron Catts, Robert Nideffer |
Electronic Arts / Bioart |
bioart, biodesign, bioethics, ai ethics, machine ethics, animal ethics, generative modeling, biotechnology, organ printing, tissue printing, bioprinting, sciart, nonhuman, posthuman, anthropomorphism, correlationism, transhumanism, neural, embryonic stem |
|
| Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
| Biometric data art : personalized narratives and multimodal interaction | 4309 | Yoon Chung |
PhD |
12/09/16 |
University of California, Santa Barbara | Curtis Roads |
Media Arts and Technology |
biometric art, interactive art, data visualization, data sonification, biometrics, multimodal interaction, personalization, personalized narrative |
| Stage lighting: An investigation of the relationship between text and lighting design | 4308 | Lia Michali |
MA |
2021 |
Hellenic Open University | Melina Mascha |
Lighting Design |
Stage Lighting; Lighting Design; Dramaturgy |
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |
| Movement and Orientations: Four Interactive Installations from Latin America | 4306 | Erandy Vergara-Vargas |
Doctor of Philosophy |
2016 |
McGill University | Christine Ross, |
Art History |
Movement, interactivity, Latin America, installations, embodiment, orientations |
| Cornelius, Nicholai, Phil and me | 4305 | Daniela Elneff |
Master of Science |
2021 |
Aarhus University | Morten Breinbjerg |
Communication and Culture |
Plant-bioacoustic, acoustic ecology, sound experiments, poetic sound composition, poetical thinking, post-phenomenology, rhythm-analysis |
| Soil and the concept of “grounding” in art&science projects | 4304 | Anna Kaplan |
Master |
2021 |
ITMO University | Ekaterina Nikitina |
Art & Science in Natural Sciences |
soil, humus, posthumanism, new materialism, Dokuchaev, Vernadsky |
| Conspiracy of Interference: Epidemics in the Era of Machine Culture | 4303 | Neo Christopher Chung |
Master of Fine Arts |
2020 |
Eugeniusz Geppert Academy of Fine Arts | Maja Wolin?ska |
Media Art |
media culture, algorithm, corona virus, machine learning, artificial intelligence, media installation |
| Miklós Barabás and Photography | 4302 | Zsuzsanna Szegedy-Maszák |
Ph.D. |
2019 |
Eötvös Loránd University | Miklós Peternák CSc |
Doctoral School of Philosophy / Art History Doctoral Programme |
photography, camera, photographic truth, wet plate process, collodion, daguerreotype, mechanism of the eye, portraiture, punctum, optical trickery, trompe-l’œil, perspective |