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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Real-Time Meta-Programming for Interactive Computational Arts | 4246 | Graham Wakefield |
PhD |
2012 |
University of California Santa Barbara | Curtis Roads, JoAnn Kuchera-Morin, Marcos Novak, Matthew Wright |
Media Arts & Technology |
|
| How machines see the world: Five essays on biological and artificial vision | 4129 | Carloalberto Treccani |
PhD |
2020 |
City University of Hong Kong | Olli Tapio Leino, Maurice Benayoun |
School of Creative Media |
Vision, biological vision, artificial vision, machine vision |
| Axial; a Sound Art Work of an Oceanographic Expedition | 3548 | Hugo Solís García |
Master of Science in Media Arts and Science |
2014 |
University of Washington | Juan Pampin, Richard S. Karpen, James Coupe, Bruce Hemingway |
Digital Arts and Experimental Media |
Axial Volcano, Digital Plurifocal Music, Electronic Art, Ocean Observatory Initiative, Oceanography, Sound Art |
| Axial; a Sound Art Work of an Oceanographic Expedition | 3548 | Hugo Solís García |
Master of Science in Media Arts and Science |
2014 |
Massachusetts Institute of Technology | Juan Pampin, Richard S. Karpen, James Coupe, Bruce Hemingway |
Digital Arts and Experimental Media |
Axial Volcano, Digital Plurifocal Music, Electronic Art, Ocean Observatory Initiative, Oceanography, Sound Art |
| Improvisatory Music and Painting Interface | 3278 | Hugo Solís García |
Master of Science in Media Arts and Science |
2004 |
University of Washington | Tod Machover |
Media Laboratory (Opera of the future group) |
Music, Improvisation, Audiovisual Interface, Painting |
| Improvisatory Music and Painting Interface | 3278 | Hugo Solís García |
Master of Science in Media Arts and Science |
2004 |
Massachusetts Institute of Technology | Tod Machover |
Media Laboratory (Opera of the future group) |
Music, Improvisation, Audiovisual Interface, Painting |
| Species interactions and climate change in the loss of Joshua trees and the role of eco-art for understanding multispecies connections | 3955 | Juniper Harrower |
PhD |
2019 |
UC Santa Cruz | Gregory Gilbert |
Environmental Studies |
art/science, interdisciplinary, climate change, species loss, symbiosis, Joshua trees, symbiosis, social practice art |
| A Speculative Assemblage: Design of Image-driven Interactive Experiences | Weidi Zhang |
PhD |
2022 |
University of California Santa Barbara | George Legrady |
Media Arts and Technology Program |
Assemblage |
|
| Deep Visual Instruments: Realtime Continuous, Meaningful Human Control over Deep Neural Networks for Creative Expression | 4256 | Memo Akten |
PhD |
2021 |
Goldsmiths, University of London | Mick Grierson, Rebecca Fiebrink |
Computing and the Arts |
Machine Learning, Deep Learning, Artificial Intelligence, Creative AI, Computational Creativity, Expressive Human Machine Interaction, Visual Instruments, Computer Vision |
| A Relational Ecology of Photographic Practices: Towards a Non-anthropocentric Approach to Photography | 4207 | Jacqueline Knight |
Doctor of Philosophy |
2021 |
University of Plymouth | Dr Michael Punt |
School of Art, Design, and Architecture |
Photography, Contact sheet, Decisive moment, computational photography, operational images, machine seeing, relational ecology, distributed cognition, photography and cognition, photography and collaboration, new materialism, posthuman |