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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis | 4285 | Alex Chechile |
Ph.D. |
2020 |
Stanford University | Chris Chafe, Jonathan Berger, Paul DeMarinis, Gerald Popelka, Brian Ferneyhough |
Music |
difference tones, auditory perception, psychoacoustics, composition, electronic music, synthesis, computer music, auditory distortion products, distortion products, Tartini tones, combination tones, summation tones, two-tone difference tones, three-tone d |
| Communicating Science: Explorations through Science and Art | 3517 | Eleanor Gates-Stuart |
2014 |
Australian National University | Susan M. Stocklmayer AM, David Lovell, Dr Rod Lamberts |
Australian National Centre for the Public Awareness of Science |
ScienceArt, Science and Art, Collaboration, Insects, Science Museums |
|
| A Feminist Framework for Biofeedback Music | ERIN GEE |
PhD |
2025 |
Université de Montréal | Nicolas Bernier |
Faculty of Music |
biofeedback music, feminism, affective computing, ASMR, digital musical instruments, electronic music performance, electronic music composition, research-creation. |
|
| The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. | 3930 | Emit Snake-Beings |
PhD |
2016 |
University of Waikato, New Zealand | Lealand, Geoff, Schott, Gareth Richard Yeatman, Bevin |
Screen and Media |
DiY culture, Do-it-yourself, material engagement, material turn, techno-animism |
| Extending Opera – Artist-led Explorations in Operatic Practice through Interactivity and Electronics | 3558 | Carl Unander-Scharin |
PhD |
2014, Thesis defended January 29, 2015 |
KTH Royal Institute of Technology | Kristina Höök, Yngve Sundblad |
Media Technology and Interaction Design; Artistic Research |
Opera, Interaction Design, Media Technology, Interactivity, Electronics, Artistic Research |
| Model–Database–Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives | 4241 | Lozana Rossenova Mehandzhiyska |
PhD |
2021 |
London South Bank University | Annet Dekker, Andrew Dewdney; Dragan Espenschied |
School of Art and Creative Industries |
digital archives; HCI; interface design; linked open data; data modeling; database design; user agency; net art; ArtBase; Rhizome;; |
| Artist-Programmers and Programming Languages for the Arts | 4264 | Alex McLean |
PhD |
2011 |
Goldsmiths, University of London | Geraint Wiggins |
Computing |
live coding, creative coding, vocable synthesis, computational creativity, computer music |
| From Connected Digital Art to Cybernetic Ecologies | 4186 | Sean Clark |
PhD |
2018 |
De Montfort University | Ernest Edmonds |
Computational Art |
computerational art, systems theory, digital art |
| The Spatialized Digital Milieu: An Infrastructure Approach to the Design of Responsive Environments | Matt Gorbet |
PhD |
2023 |
Florida International University | Neil Leach |
College of Communication, Architecture + The Arts (CARTA) |
Architecture, Art, Sculpture, Computer Science, Control Systems, Living Architecture, Immersive Sculpture, Technology History, Technology Infrastructure, Digital Milieu, Influence, Attunement, Physical-Digital Objects, Tangible Media, Control Systems, Robotics, IoT, Expressive Poetics |
|
| Innovative Practice in Conducting : Graphic Scores, Sonic Batons and Open Ensembles for New Performance Formats | Majella Clarke |
Master's |
2024 |
Iceland University of the Arts | Angela Rawlings |
Department of Music |
Conducting; Graphic Scores; Neural Audio Synthesis; Sonic Baton; New Performance Formats; Open Ensemble; Music-Science. |