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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Visibilities and Invisibilities of Wonder: A Practice-Led Exploration of Optical Image Systems | 4213 | Deirdre Feeney |
PhD |
2019 |
Australian National University | Helen Ennis, John Debs |
School of Art & Design, and Research School of Physics |
invisibility, visibility, wonder, natural magic, optical glass, device, optics, technology, instrumentation, technological device, contemporary art, media archaeology, history of technology, philosophy of technological object |
| Space Art + Space Science: A Polymathic Paradigm Shift in the Art/Science Dialogue | Barbara King |
Master's |
2020 |
University of Cape Town | Peter Martinez |
Engineering and the Built Environment |
Art/Science Dialogue, Multi-Disciplinary collaboration, space art, space science, disruptive New Space culture, paradigm shift, influence of Space Art. |
|
| Real-Time Meta-Programming for Interactive Computational Arts | 4246 | Graham Wakefield |
PhD |
2012 |
University of California Santa Barbara | Curtis Roads, JoAnn Kuchera-Morin, Marcos Novak, Matthew Wright |
Media Arts & Technology |
|
| How machines see the world: Five essays on biological and artificial vision | 4129 | Carloalberto Treccani |
PhD |
2020 |
City University of Hong Kong | Olli Tapio Leino, Maurice Benayoun |
School of Creative Media |
Vision, biological vision, artificial vision, machine vision |
| Axial; a Sound Art Work of an Oceanographic Expedition | 3548 | Hugo Solís García |
Master of Science in Media Arts and Science |
2014 |
University of Washington | Juan Pampin, Richard S. Karpen, James Coupe, Bruce Hemingway |
Digital Arts and Experimental Media |
Axial Volcano, Digital Plurifocal Music, Electronic Art, Ocean Observatory Initiative, Oceanography, Sound Art |
| Axial; a Sound Art Work of an Oceanographic Expedition | 3548 | Hugo Solís García |
Master of Science in Media Arts and Science |
2014 |
Massachusetts Institute of Technology | Juan Pampin, Richard S. Karpen, James Coupe, Bruce Hemingway |
Digital Arts and Experimental Media |
Axial Volcano, Digital Plurifocal Music, Electronic Art, Ocean Observatory Initiative, Oceanography, Sound Art |
| Improvisatory Music and Painting Interface | 3278 | Hugo Solís García |
Master of Science in Media Arts and Science |
2004 |
University of Washington | Tod Machover |
Media Laboratory (Opera of the future group) |
Music, Improvisation, Audiovisual Interface, Painting |
| Improvisatory Music and Painting Interface | 3278 | Hugo Solís García |
Master of Science in Media Arts and Science |
2004 |
Massachusetts Institute of Technology | Tod Machover |
Media Laboratory (Opera of the future group) |
Music, Improvisation, Audiovisual Interface, Painting |
| A Speculative Assemblage: Design of Image-driven Interactive Experiences | Weidi Zhang |
PhD |
2022 |
University of California Santa Barbara | George Legrady |
Media Arts and Technology Program |
Assemblage |
|
| Deep Visual Instruments: Realtime Continuous, Meaningful Human Control over Deep Neural Networks for Creative Expression | 4256 | Memo Akten |
PhD |
2021 |
Goldsmiths, University of London | Mick Grierson, Rebecca Fiebrink |
Computing and the Arts |
Machine Learning, Deep Learning, Artificial Intelligence, Creative AI, Computational Creativity, Expressive Human Machine Interaction, Visual Instruments, Computer Vision |