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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Communicating Science: Explorations through Science and Art | 3517 | Eleanor Gates-Stuart |
2014 |
Australian National University | Susan M. Stocklmayer AM, David Lovell, Dr Rod Lamberts |
Australian National Centre for the Public Awareness of Science |
ScienceArt, Science and Art, Collaboration, Insects, Science Museums |
|
| The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. | 3930 | Emit Snake-Beings |
PhD |
2016 |
University of Waikato, New Zealand | Lealand, Geoff, Schott, Gareth Richard Yeatman, Bevin |
Screen and Media |
DiY culture, Do-it-yourself, material engagement, material turn, techno-animism |
| Model–Database–Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives | 4241 | Lozana Rossenova Mehandzhiyska |
PhD |
2021 |
London South Bank University | Annet Dekker, Andrew Dewdney; Dragan Espenschied |
School of Art and Creative Industries |
digital archives; HCI; interface design; linked open data; data modeling; database design; user agency; net art; ArtBase; Rhizome;; |
| Artist-Programmers and Programming Languages for the Arts | 4264 | Alex McLean |
PhD |
2011 |
Goldsmiths, University of London | Geraint Wiggins |
Computing |
live coding, creative coding, vocable synthesis, computational creativity, computer music |
| From Connected Digital Art to Cybernetic Ecologies | 4186 | Sean Clark |
PhD |
2018 |
De Montfort University | Ernest Edmonds |
Computational Art |
computerational art, systems theory, digital art |
| The Spatialized Digital Milieu: An Infrastructure Approach to the Design of Responsive Environments | Matt Gorbet |
PhD |
2023 |
Florida International University | Neil Leach |
College of Communication, Architecture + The Arts (CARTA) |
Architecture, Art, Sculpture, Computer Science, Control Systems, Living Architecture, Immersive Sculpture, Technology History, Technology Infrastructure, Digital Milieu, Influence, Attunement, Physical-Digital Objects, Tangible Media, Control Systems, Robotics, IoT, Expressive Poetics |
|
| Innovative Practice in Conducting : Graphic Scores, Sonic Batons and Open Ensembles for New Performance Formats | Majella Clarke |
Master's |
2024 |
Iceland University of the Arts | Angela Rawlings |
Department of Music |
Conducting; Graphic Scores; Neural Audio Synthesis; Sonic Baton; New Performance Formats; Open Ensemble; Music-Science. |
|
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |
| Visibilities and Invisibilities of Wonder: A Practice-Led Exploration of Optical Image Systems | 4213 | Deirdre Feeney |
PhD |
2019 |
Australian National University | Helen Ennis, John Debs |
School of Art & Design, and Research School of Physics |
invisibility, visibility, wonder, natural magic, optical glass, device, optics, technology, instrumentation, technological device, contemporary art, media archaeology, history of technology, philosophy of technological object |
| Space Art + Space Science: A Polymathic Paradigm Shift in the Art/Science Dialogue | Barbara King |
Master's |
2020 |
University of Cape Town | Peter Martinez |
Engineering and the Built Environment |
Art/Science Dialogue, Multi-Disciplinary collaboration, space art, space science, disruptive New Space culture, paradigm shift, influence of Space Art. |