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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Portfolio of Original Compositions | Brona Martin |
PhD |
2015 |
University of Manchester | Professor David Berezan |
Novars Research Centre, Faculty of Humanities |
Electroacoustic Composition, Soundscape Composition, Acoustic Ecology, Multi-channel works, Community engagement |
|
| Visual Music Composition with Electronic Sound and Video | Dave Payling |
PhD |
2014 |
Staffordshire University | Stella Mills |
Media and Performance |
visual music; composition; animation; electroacoustic music; electronic music |
|
| Measuring by Measuring Against: A Consideration of Scientific Methods in Conceptual Art Practices | Sara Morawetz |
PhD |
2021 |
University of Sydney | Alexander Gawronski |
Sydney College of the Arts |
Conceptual Art |
|
| Reformatting the Paradigm of Spectatorship through Virtual Gestures and Audio-Visuals | Leslie Deere |
PhD |
2023 |
Glasgow School of Art | James Hutchinson |
School of Fine Art |
Virtual Reality, VR, VR Performance, Audio-Visual, AV, Gesture, Movement, Dance, Gesture Sound, Gestural Audio-Visuals, Improvisation, Improvised Audio-Visuals, Affect, Affective Sublime, Altered States, ASC, Psychedelic, Colour, Colour Event, Endless Andness, Non-Representational Conduit, Illuminatory Sound Environment, Cybernetic, Bodymind, Corporeal Literacy, Embodiment, Enchantment, Encounter, Experiential, Hybrid Audience, Multidimensional, Third Ear, Listening Field |
|
| Large String Array | 4312 | Cameron Fraser |
Doctor of Philosophy |
2021 |
University of Washington | Juan Pampin |
DXARTS |
sound art, installation, automatic instrument, structure borne sound |
| The Gesturing Screen: Art and screen agency within postmedia assemblages | 4296 | Charu Maithani |
PhD |
2021 |
University of New South Wales (UNSW) | Anna Munster |
screens; gestures; postmedia |
|
| Mapping Affinities: Visualizing Academic Practice Through Collaboration | 3886 | Dario Rodighiero |
PhD |
2018 |
École polytechnique fédérale de Lausanne (EPFL) | Frédéric Kaplan, Boris Beaude |
College of Humanities |
Academic practices, actualization, affinity, cartography, design, digital traces, interaction, network visualization, scientometrics, visualization |
| The design of note-based algorithmic systems through the use of mental models | Gilberto dos Santos Agostinho Filho |
PhD |
2021 |
City, University of London | Newton Armstrong |
Department of Music |
algorithmic composition, generative music, mental models, computer-aided music |
|
| Tuning Sensory Terroir: Mapping correspondences between sound and wine in a crossmodal art practice | 4226 | Jo Burzynska |
PhD |
2020 |
University of New South Wales | Douglas Kahn, Lindsay Kelley, Susan Bastian |
Art & Design |
crossmodal art, crossmodal correspondences, sound, wine, multisensory |
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis | 4285 | Alex Chechile |
Ph.D. |
2020 |
Stanford University | Chris Chafe, Jonathan Berger, Paul DeMarinis, Gerald Popelka, Brian Ferneyhough |
Music |
difference tones, auditory perception, psychoacoustics, composition, electronic music, synthesis, computer music, auditory distortion products, distortion products, Tartini tones, combination tones, summation tones, two-tone difference tones, three-tone d |