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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| The Gesturing Screen: Art and screen agency within postmedia assemblages | 4296 | Charu Maithani |
PhD |
2021 |
University of New South Wales (UNSW) | Anna Munster |
screens; gestures; postmedia |
|
| Mapping Affinities: Visualizing Academic Practice Through Collaboration | 3886 | Dario Rodighiero |
PhD |
2018 |
École polytechnique fédérale de Lausanne (EPFL) | Frédéric Kaplan, Boris Beaude |
College of Humanities |
Academic practices, actualization, affinity, cartography, design, digital traces, interaction, network visualization, scientometrics, visualization |
| Tuning Sensory Terroir: Mapping correspondences between sound and wine in a crossmodal art practice | 4226 | Jo Burzynska |
PhD |
2020 |
University of New South Wales | Douglas Kahn, Lindsay Kelley, Susan Bastian |
Art & Design |
crossmodal art, crossmodal correspondences, sound, wine, multisensory |
| Practical Applications of Difference Tones in Electronic Music Composition and Synthesis | 4285 | Alex Chechile |
Ph.D. |
2020 |
Stanford University | Chris Chafe, Jonathan Berger, Paul DeMarinis, Gerald Popelka, Brian Ferneyhough |
Music |
difference tones, auditory perception, psychoacoustics, composition, electronic music, synthesis, computer music, auditory distortion products, distortion products, Tartini tones, combination tones, summation tones, two-tone difference tones, three-tone d |
| Communicating Science: Explorations through Science and Art | 3517 | Eleanor Gates-Stuart |
2014 |
Australian National University | Susan M. Stocklmayer AM, David Lovell, Dr Rod Lamberts |
Australian National Centre for the Public Awareness of Science |
ScienceArt, Science and Art, Collaboration, Insects, Science Museums |
|
| The DiY ['Do it yourself'] Ethos: A participatory culture of material engagement. | 3930 | Emit Snake-Beings |
PhD |
2016 |
University of Waikato, New Zealand | Lealand, Geoff, Schott, Gareth Richard Yeatman, Bevin |
Screen and Media |
DiY culture, Do-it-yourself, material engagement, material turn, techno-animism |
| Model–Database–Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives | 4241 | Lozana Rossenova Mehandzhiyska |
PhD |
2021 |
London South Bank University | Annet Dekker, Andrew Dewdney; Dragan Espenschied |
School of Art and Creative Industries |
digital archives; HCI; interface design; linked open data; data modeling; database design; user agency; net art; ArtBase; Rhizome;; |
| Artist-Programmers and Programming Languages for the Arts | 4264 | Alex McLean |
PhD |
2011 |
Goldsmiths, University of London | Geraint Wiggins |
Computing |
live coding, creative coding, vocable synthesis, computational creativity, computer music |
| From Connected Digital Art to Cybernetic Ecologies | 4186 | Sean Clark |
PhD |
2018 |
De Montfort University | Ernest Edmonds |
Computational Art |
computerational art, systems theory, digital art |
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |