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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) | 4235 | Tianyu Jiang |
Master of Arts in Cinema Studies |
2019 |
Stockholm University | Malin Wahlberg |
Department of Media Studies |
Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship |
| User preference prediction using soft computing techniques | 4232 | Iria Santos López |
PhD Information & Communication Technologies |
2021 |
University of A Coruña | Juan Jesús Romero Cardalda, Adrián Carballal |
Computer Science |
artificial intelligence, machine learning, deep learning, soft computing, visual arts |
| Bodily Resonance: Exploring the Effects of Virtual Embodiment on Pain Modulation and the Fostering of Empathy toward Pain Sufferers | 4229 | Xin Tong |
PhD |
Spring 2021 |
Simon Fraser University | Diane Gromala, Chris Shaw, Dr. Dave Fracchia |
Interactive Arts and Technology, Human-computer Interaction |
chronic pain; virtual reality; virtual embodiment; sense of ownership; sense of agency; empathy |
| Vector synthesis: a media archaeological investigation into sound-modulated light | 4228 | Derek Holzer |
MA |
2019 |
Aalto University | Antti Ikonen, Marco Donnarumma |
Department of Media, Sound in New Media |
media archaeology, audiovisual performance, open source code, cathode ray tubes, obsolete technology, media art, synesthesia, vector graphics |
| Transeverythingism: Transgender Identities in Postmedia Audiovisual Narratives | 4227 | Kaylee Bear Koss, PhD |
PhD |
2020 |
Universitat Politecnic Valencia, Spain | Elias Perez Garcia, Elena Pradas, Maria Bartual |
Art & Gender |
postmedia art, gender, transgender, embodied cognition, posthumanism |
| Digital Information Models – GIS and Graph – applied to heritage. The building factory in the ancient kingdom of Seville during the transition to the Modern Age | 4225 | Patricia Wanderley Ferreira-Lopes |
PhD |
2018 |
University of Seville | Pinto Puerto, Francisco Sebastián, Galindo Pérez de Azpillaga, Luis |
Architectural Graphic Expression / Cultural Heritage |
GIS Model, Graphs database Model, Heritage, Kingdom of Seville, Modern Age, historical data visualization. |
| The digital txalaparta: An analysis of the txalaparta through software development | 4222 | Enrique Hurtado |
Fine Arts |
2015 |
University of the Basque Country EHU/UPV | Josu Rekalde, Thir Magnusson |
Art and technology |
txalaparta, software, generative |
| INTER-: Design for Fostering Action-Oriented Awareness Toward Sustainable Transition | 4221 | Elena Danlei Huang |
Master of Industrial Design |
2021 |
Rhode Island School of Design | Peter Yeadon, Heewon Lee, Kate Masury |
Industrial Design |
Design research, Sustainable Design, Interdisciplinary Collaboration |
| Bus 22 The Other's Sonic experience | 4220 | Minji Kim |
Master of Music |
2021 |
Royal Academy of Art, The Hague | Arthur Elsenaar |
ArtScience |
Sound Arts |
| Enmeshed Selves | 4219 | Nicole Clouston |
Ph.D. |
2020 |
York University | Barbara Balfour, Nell Tenhaaf, Natasha Myers |
Visual Arts |
Microbes; Lake Ontario; Mud; Collaboration; Soil; Water |