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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Coloured Universe and the Russian Avant-Garde.Matiushin on Colour Vision in Stalin's Russia 1932 | 3188 | Margareta Tillberg |
Ph.D |
2003 |
Stockholm University | Margaretha Rossholm Lagerlöf, Dmitri V. Sarabianov |
Art History |
Russian visual culture, avant-garde, Mikhail Matiushin, Elena Guro, Ender |
| COLOR in Black and White; An investigation of Vividness in Color and in Architecture | 3187 | jack rees |
Master of Science in Architectural Studies (MSAS) |
1996 |
University ot Texas, Austin | Michael Benedikt, Robert Mugerauer |
Architecture -- Interdisciplinary Studies |
color; architecture; Claude Monet; Balthasar Neumann; perception; atmospheric physics; philosophy; painting; Kansas landscape |
| COLLECTIVE SELF-PORTRAIT: Poetics of Opening to the Spectator in the [De]Construction of a Collective Identity. AUTO-RETRATO COLETIVO: Poéticas de Abertura ao Espectador na [Des]Construção de uma Identidade Coletiva. | 3186 | NARDO GERMANO |
Master's Degree in Art |
2007 |
University of São Paulo, Brazil | Monica Tavares |
Arts department - School of Communications and Arts - USP |
1.Collective Self-Portrait; 2.Open Work; 3.Dialogism and Polyphony; 4.Participation and Interactivity; 5.Play and Action Poetics; 6.Identity and Alterity; 7.Collective Body; 8.Photography and Digital Media. 1.Auto-Retrato Coletivo; 2.Obr |
| Collaboration in Sonic Design: frameworks for designing interactive sound environments | 3185 | Jeremy Yuille |
Masters of Design |
2006 |
RMIT University | Lawrence Harvey, Pia Ednie-Brown |
Design |
collaboration, sonic, design, sonic object, transcoding, spectromorphology, acousmatic, schaeffer, solfege, interactive, game, multiuser, electronic, music, ai, emergent, art |
| Ceremony of Innocence: A Case Study of the Emergent Poetics of Interactive Narrative | 3184 | Jim Bizzocchi |
S.M. (Master of Science) |
2001 |
Massachusetts Institute of Technology | Peter S. Donaldson, Henry Jenkins (MIT); Dr. Tom Carey (University of Waterloo) |
Comparative Media Studies |
interactive narrative; aesthetics; expressionism; close reading; poetics of new media; epistolary novel; Bantock; Ceremony of Innocence; CD-ROM; Griffin and Sabine; cursor; embedded narrative; |
| CAS - Collaborative Artwork System | 3183 | Brenda Castro |
Master of Arts in New Media |
2007 |
University of Art and Design Helsinki UIAH | Stefan Sonvilla-Weiss, Lily Diaz |
Media Lab/ New Media |
VLC, GUI, virtual identities |
| Cartographies of the Identity: six itineraries to reflect about artistic and communicative practices in the digital era | 3182 | Gemma San Cornelio Esquerdo |
Phd Audiovisual Communication Program |
2003 |
Polytechnic University of Valencia | Eulalia Adelantado Mateu |
Audiovisual Communication, Documentation and Art History |
Internet, identity, subject, art, autobiography, portrait, mask, net.art, digital art, monster |
| Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | 3181 | Annabel Castro Meagher |
MS in Applied Information Technology specializing in “Art and Technology” |
2005 |
Chalmers University of Technology | Mats Nordahl |
Art and Technology |
Robot, character, theater, Caliban |
| Burning the Interface : artists' interactive multimedia 1992-1998 | 3180 | Mike Leggett |
MFA (Hons) |
2000 |
University of New South Wales | Bonita ELY, Bill SEAMAN |
College of Fine Arts |
multimedia, media art, interactive media, CD-ROM |
| Boundary Expeditions: Strategies for Creative Research at the Interface of Art and Life Science | 3179 | Gabriel Harp |
MFA Art & Design |
2007 |
University of Michigan, Ann Arbor | Satoru Takahashi, Jay Lemke |
Interdisciplinary |
design, interdisciplinary, life science, cybernetics, relational aesthetics, boundary objects, network entrepreneurship, systems art |