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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Arresting Beauty: The Perfectionist Impulse of Peale's Butterflies, Heade's Hummingbirds, Blaschka's Flowers, and Sandow's Body | 3157 | Ellery Foutch |
PhD |
2011 |
University of Pennsylvania | Michael Leja |
History of Art |
perfection, temporality, botanical models, photography, specimen boxes, plaster casts. Titian Peale, Martin Johnson Heade, Rudolf Blaschka, Eugen Sandow |
| Aquabatics as new works of Live Art | 3156 | Sarah Jane Pell |
Doctor of Philosophy (Visual Art) |
2006 |
Edith Cowan University, Western Australia | Assoc. Domenico de Clario, Janine Schwarz, Dr. Adrian Heathfield |
Communication & Creative Arts Industries/ Contemporary Arts |
Contemporary Performance, Art & Science, Aquabatics, SubSpace Arts, Human performance, behaviour and limits in extreme environments, Live Art, BioTech Art |
| Applications of Generative String Substitution Systems in Computer Music | 3155 | R. Luke DuBois |
Doctor of Musical Arts |
2003 |
Columbia University | Brad Garton, Fred Lerdahl, Jonathan Kramer, Paul Lansky, Perry Cook |
Music/Algorithmic Composition |
algorithmic composition, interactive computer music, string-rewriting, generative grammars, audio-visual interaction, multimedia performance |
| Antarctic animation: gestures and lines describe a changing environment | 3154 | Lisa Roberts |
Doctor of Philosophy |
2010 |
University of New South Wales | Simon Pockley, John Hughes |
College of Fine Arts/Media Arts |
animation, artistic, Antarctica, dance, drawing, climate change, communication, gesture, improvisation, on-line, perceptions, practice-based, scientific |
| An exploration of a diversity of vision in digital art projects in relation to issues of engagement | 3153 | sonja van Kerkhoff |
MSc (Media Technology) |
2008 |
Leiden Institute of Advanced Computer Science, University of Leiden, The Netherlands. | Michael S. Lew, LIACS Media Lab, Sarah Kettley, Nottingham Trent University |
Media Technology, dept. Computer Science |
Augmented reality, digital media, discourse analysis, engagement, immersion, interactive art, virtual reality |
| An Experimental Research into Inhabitable Theories | 3152 | Claudia Westermann |
PhD |
2011 |
University of Plymouth | Roy Ascott, Mike Phillips |
School of Art and Media |
architecture, poetics, cybernetics, logics, 2nd order, discourse, transdisciplinary |
| An enactive approach to digital musical instrument design | 3151 | Newton Armstrong |
Ph.D. |
2006 |
Princeton University | Barbara White, Daniel Trueman |
Music |
Enaction; Human-computer Interaction; Phenomenology; Digital Musical Instruments |
| Ambivalent Animal | 3150 | Geoffrey Thomas |
PhD |
2010 |
Georgia Institute of Technology | Jay D. Bolter |
Digital Media |
Animality, Animal Studies, Art & Design, Philosophy, Art & Technology, Digital Media, Media Studies, Post-structuralism |
| ALMOST IMMORTAL: AESTHETIC RITUAL AND BIOLOGICAL MUTATION | 3149 | Alex Metral |
MFA Critical theory and Studio. |
2004 |
Maine College of Art | George Smith, Iain Kerr, Katarina Weslien |
Philosophy, Art, Science. |
aesthetic life-extention actant immortality genetic |
| Algae: Exploring the Intersection of Art and Science | 3148 | Sara Gevurtz |
Master of Fine Arts |
2012 |
San Jose State University | James Morgan, Joel Slayton, Shannon Wright |
Digital Media Art |
Bio Art, Science Art |