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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Noisy Fields: Interference and Equivocality in the Sonic Legacies of Information Theory | 3229 | Nicholas Knouf |
PhD |
2013 |
Cornell University | Phoebe Sengers, Tarleton Gillespie, Tim Murray, Maria Fernandez |
Information Science/Media Studies |
Noise, Finance, Sound, Voice, Information theory, Robotics |
| Empyrean : Soft Skinned Space | 3228 | Melinda Rackham |
PhD |
2004 |
University of New South Wales and College of Fine Arts | Mr Phillip George, Dr Vicki Kirby |
Media Arts, Sociology |
Immersive Online Environments, Virtual Reality, Cyberfeminism, Avatars, VRML, Mailing List Culture |
| Emotion und ästhetische Erfahrung. Zur Rezeptionsästhetik der Video-Installationen Buried Secrets von Bill Viola. (Emotion and Aesthetic Experience. The Aesthetic Reception of Bill Viola's Video-Installations Buried Secrets.) | 3227 | Anne Hamker |
Dr./Ph.D. |
2003 |
Johann Wolfgang Goethe-University, Frankfurt am Main, Germany | Klaus Herding, Institute of Art History, J.W. Goethe-University, Wolf Singer, Max Planck Institute for Brain Research |
Art History |
video-installation, art, emotion, consciousness, aesthetic experience |
| EMERGENT OBJECTS AT THE HUMAN-COMPUTER INTERFACE (HCI): A CASE STUDY OF ARTISTS’ CYBERNETIC RELATIONSHIPS AND IMPLICATIONS FOR CRITICAL CONSCIOUSNESS | 3226 | Sherry Lynn Mayo |
EdDCT Doctorate of Education in Art Education in College Teaching |
2004 |
Teachers College Columbia University | Graeme Sullivan, Judith Burton |
Art and Art Education |
art and technology, art education, human-computer interface (hci), computer art, fine arts research, visual arts, project-based research, critical consciousness, qualitative analysis |
| Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art | 3225 | Svetlana Maras |
MA in Sound In New Media |
2011 |
Aalto university School of Art and Design | Antti Ikonen, Marianne Decoster-Taivalkoski |
Sound in New Media |
experimental music, sound art, physical object, composition |
| Eloe: Application of Brain-Computer Interfaces in Visual Creativity | 3224 | Maxim Safioulline |
M.F.A. in Design and Technology |
2012 |
Parsons The New School for Design | Scott G. Pobiner, DDes |
Design and Technology |
Brain-computer interfaces, design for creativity, augmented interfaces, interaction bandwidth |
| Electroacoustic Music: Morphological Analysis and Analytical Representation | 3223 | Pierre Couprie |
PhD |
2003 |
University of Paris IV-Sorbonne | Marc Battier |
Music and Musicolog |
Musical Analysis, Electroacoustic Music, Computer Music, Visual Representation, Multimedia |
| Dynamic Variations | 3222 | Frederick H. Leighton |
MFA |
2006 |
Savannah College of Art and Design | SuAnne Fu, Matthew Akers, Alessandro Imperato |
Interactive Design and Game Development |
Visual Music, Expanded Cinema, Flash, MIDI, Performance, Jordan Belson, Oskar Fischinger, Thomas Wilfred, John Whitney, James Whitney, Alexander Rimington, Louis-Bertrand Castel, Mary Ellen Bute |
| Dynamic Systems Aesthetics of Interactive Media in David Rokeby’s The Giver of Names | 3221 | Tabitha Minns |
Master of Arts |
2008 |
York University, Toronto, Ontario | Jennifer Fisher, Sarah Parsons |
Art History |
David Rokeby; dynamic systems; aesthetics; artificial intelligence; cognition; perception; mind; interactive art |
| Drawing With Science | 3220 | Bojana Joksimovic-Ginn |
Master in Fine Arts in Sculpture |
2013 |
Savannah College of Art and Design | Susan Krause |
Sculpture |
Art, Science, Technology, Installation, Drawing, Sculpture, Performance, Brownian Motion, Evolution, Mathematical Knot Theory, Elements, Neurology |