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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Albatross : a metaphor for vision & interplayed ideas | 3147 | ilias koen |
MFA |
2005 |
School of Visual Arts, New York | Yuichiro Nishizawa, Graham Weinbren |
Computer Art - Art |
Simulation, representation, mapping, modes of vision, computing machine, data-collections |
| AFFECTS: Intermedial Images between Art, Philosophy, and Science | 3146 | Julainne S. Sumich |
Doctorate in Fine Arts |
2006 |
The University of Auckland, New Zealand | Carole Shepheard, Bruce MacDonald |
Fine Arts |
affect, intermedial, images of thought, autonomic response to novelty, conceptual fusion |
| Affection Research Lab: Affection Stations & The Signal Archive | 3145 | Salvador Orara |
MFA |
2012 |
Art Center College of Design | Philip van Allen, Shannon Herbert, Elise Co, Mike Milley, Casey Anderson, and Norman Klein |
Media Design |
Affective Computing, Mythological Interaction, Sound, Noise |
| aether: an experiment in the phenomenology of reading | 3144 | Erik Conrad |
M.S. Information Design and Technology |
2002 |
Georgia Institute of Technology | Sha Xin Wei, Ken Knoespel, Stephanie Strickland |
School of Literature, Communication and Culture |
tactile vision, experimental documents, reading, interaction design, interactive art |
| Aesthetics, Writing, Networked Computers | 3143 | Joerg Mueller |
PhD |
2005 |
European Graduate School (EGS) | Dr. Wolfgang Schirmacher, Avital Ronell, Diana Davis |
Communications |
aesthetics, aisthesis, computer, computing, intuition, cultural technology, writing, senses, sensible, complexity, logic of sensation, affection, cellular automata, Universal Turing Machine, cybernetics |
| Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | 3142 | Melanie Swalwell |
Doctor of Philosophy |
2002 |
University of Technology, Sydney | Norie Neumark |
Faculty of Humanities and Social Sciences |
senses, aesthetics, technology, affect, intensity, hyper, experience, experimentation, LAN, games, shock, anaesthetics, innervation, audience |
| Aesthetics & Art in the Early Development of Human-Computer Interfaces | 3141 | Nader Salha |
PhD (Dr. -Ing.) |
2012 |
University of Bremen | Dr. Frieder Nake, David Canfield Smith |
Computer Science |
Human-Computer Interaction (HCI), Aesthetics, Art, user interface, GUI, Interaction design, post-usability |
| Aesthetic Complexity: Practice and Perception in Art & Design | 3140 | Guy Birkin |
PhD |
2010 |
Nottingham Trent University | Judith Mottram, Terry Shave; Andrew Dunn |
Fine Art |
Aesthetics, complexity, art, perception, information theory, data compression, aesthetic measure, experimental psychology |
| A World Exhilarating and Wrong | 3139 | Antoinette LaFarge |
M.F.A. |
1995 |
School of Visual Arts, New Yor | Grahame Weinbren |
Computer Art |
performance, online performanc |
| A Unitary Model of Intense Aesthetic Experience in Art and Science | 3138 | Melvin L. Alexenberg |
Doctor of Education |
1969 |
New York University | Prabha Sahasrabudhe (Art), Morris H. Shamos (Physics); Prof. Janice L Gorn (Psychology) |
Interdisciplinary: Art, Science, Psychology |
art, science, psychology, creativity, aesthetics |