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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Portfolio of Original Compositions | Brona Martin |
PhD |
2015 |
University of Manchester | Professor David Berezan |
Novars Research Centre, Faculty of Humanities |
Electroacoustic Composition, Soundscape Composition, Acoustic Ecology, Multi-channel works, Community engagement |
|
| Finitude, Possibility, Dimensionality: Aesthetics After Complexity | Mattia Paganelli |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Centre for FIne Art Research, Birmingham School of Art |
Aesthetics, Contemporary Art, Complexity Theory, Diffraction, Dimensionality, Emergence, Feedback Loop, Finitude, Logic of Sense, Materiality, Possibility, |
|
| The Arena Spectacular from Ben Hur Live to Isles of Wonder: Adaptation, Post-cinema and the Postcivil | Richard Whitby |
PhD |
2016 |
Birkbeck, University of London | Barry Curtis |
The London Consortium |
arena, post-civil, adaptation, architecture, entertainment, digital, cinema, Ben-Hur, Batman, Olympics, regeneration, post-cinema |
|
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| Becomings of Digital Poetry - the carrier of memory in slow media practice | Tiio Suorsa |
Master's |
2021 |
Universität für künstlerische und industrielle Gestaltung Linz | Christa Sommerer |
Interface Cultures |
digital poetry, video art, memory, in-betweenness, slow media |
|
| Empathy Is the Devil: Employing Conventions and Themes of Early Cinema in Contemporary Practice | Carey Ryan |
PhD |
2017 |
Griffith University | Patricia FitzSimons |
Griffith Film School/Queensland College of Art |
Silent cinema techniques |
|
| Recoding the Stars: The Art and Science of Contemporary Cosmography | Lucy Winnington |
Master's |
2014 |
The University of Auckland | Gregory Minissale |
Art History |
cosmography, astronomical art, stellar cartography |
|
| Foggy Pursuit of Ethical Response-Ability: Art and Science of Collecting Water from Fog | Anna Rewakowicz |
PhD |
2021 |
École Polytechnique | Frédéric Brechenmacher |
Laboratoire interdisciplinaire de l'École polytechnique en sciences humaines et sociales (LINX-SHS) |
Art & science collaboration, Water scarcity, Collecting Water from fog, Relational ethics, Community |
|
| Coup d’état Reclaiming Form and Color | 1 | Mehran Aghazadeh |
MFA |
2022 |
Purdue University | Fabian Winkler |
Art and Design |
Iranian culture, contemporary Islamic art, totalitarianism, theocracy, politics of visual culture, political Islam, subversive patterns |
| Mežs | Rihards Vitols |
PhD |
2021 |
University of Washington | Afroditi Psarra |
Digital arts and experimental media |
Ai, ML, artificial nature, future of forests, soundscapes, speculative art, trees, digital art, |