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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Scorescapes: On Sound, Environment and Sonic Consciousness | 3397 | Yolande Harris |
Ph.D. |
2011 |
Leiden University | Frans de Ruiter, David Dunn, Dr. Bob Gilmore |
Academy for Creative and Performing Arts, Faculty of Humanities |
Sound, score, environment, sonification, inaudible, cetacean, underwater sound, techno-intuition, listening |
Audible Absence: Searching for the Site in Sound Production | 3768 | Budhaditya Chattopadhyay |
PhD |
2017 |
Leiden University | dr. Marcel Cobussen, Frans de Ruiter |
Academy of Creative and Performing Arts (ACPA) |
sound, sound studies, artistic research, sound art, field recording, site-specificity, ambience, film sound, practice-based research, digital technology, diegesis, presence |
Dr | Keith Armstrong |
PhD |
2003 |
Queensland University of Technology | Rod Wissler |
Academy of the Arts/Creative Industries |
new media arts, ecology, environment, socio-political, action, ecosophy, ecosophical, praxis,hybrid arts, cross-disciplinary practices, performance art and science, art and technology, site specific installation practices, interaction, design interactive |
|
On Lightscapes: Exploring the Aesthetics and Narrativities of Light and Colour in Contemporary Hong Kong | 4299 | Cornelia Erdmann |
PhD |
2021 |
Hong Kong Baptist University | Louis Nixon |
Academy of Visual Arts |
atmosphere, spatial qualities, light, colour, perception, aesthetics, narrativity, site-specific art, lightscape, light art |
Panarchistic Architecture: Building Wildland-Urban Interface Resilience to Wildfire through Design Thinking, Practice and Building Codes Modelled on Ecological Systems Theory | 4066 | Melissa Louise Sterry |
PhD |
2018 |
University of Greenwich | Neil Spiller, Ed Wall, Prof. David Isaac |
Advanced Virtual and Technological Architecture Research [AVATAR] group at the School of Architecture and Landscape |
Wildfire, Wildland-Urban Interace, Ecological Systems, Architecture, Urban Design, Building Codes, Building Policy, Fire, Biomimetics, Biodesign, Biotechnology, Bioinspiration, Biofabrication, Biomanufacturing, Biofuturism, Speculative Design |
Machinima: Between Narrative and Experimentation | 3719 | Fernanda Albuquerque de Almeida |
Master |
2014 |
University of São Paulo | Artur Matuck |
Aesthetics and Art History |
Computer games, Contemporary art, Digital art, Experimental cinema, Hackers, Machinima |
Images of Time in the Technological Poetics of Harun Farocki, Bill Viola and Anthony McCall | 4021 | Fernanda Albuquerque de Almeida |
PhD |
2019 |
University of São Paulo | Ricardo Nascimento Fabbrini |
Aesthetics and Art History |
Anthony McCall, Bill Viola, Contemporary art, Harun Farocki, Images of time, Technological poetics |
Three-dimensional computer animation : Between tradition and artistic innovation | 3475 | Verónica CAMACHO CAMACHO |
PhD |
2004 |
UNIVERSITÉ PARIS 8 — VINCENNES SAINT-DENIS | Edmond COUCHOT |
Aesthetics, Sciences and Technologies of Arts |
Three-dimensional computer animation, numerical technologies, simulation, cinema |
The dimension of the enchantment: scenography and digital technologies | 3431 | Regina Cunha Wilke |
Doctor |
2005 |
Universtity of São Paulo (USP - FAU) | Dra. Elide Monzeglio |
Ambiental Urban Structures |
scenography, multimedia theatre, sublime esthetic, enchantment |
Contemporary reinventions of early devices that flicker and rotate : a particular type of animated installation in the quest for an expanded animation experience | 4231 | Christine Veras |
Doctorate |
2018 |
Nanyang Technological University | Vibeke Sorensen, Alan Cholodenko |
Animation |
animated installations, flicker, optical toys, expanded animation |