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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Bodily Resonance: Exploring the Effects of Virtual Embodiment on Pain Modulation and the Fostering of Empathy toward Pain Sufferers | 4229 | Xin Tong |
PhD |
Spring 2021 |
Simon Fraser University | Diane Gromala, Chris Shaw, Dr. Dave Fracchia |
Interactive Arts and Technology, Human-computer Interaction |
chronic pain; virtual reality; virtual embodiment; sense of ownership; sense of agency; empathy |
| Contemporary reinventions of early devices that flicker and rotate : a particular type of animated installation in the quest for an expanded animation experience | 4231 | Christine Veras |
Doctorate |
2018 |
Nanyang Technological University | Vibeke Sorensen, Alan Cholodenko |
Animation |
animated installations, flicker, optical toys, expanded animation |
| User preference prediction using soft computing techniques | 4232 | Iria Santos López |
PhD Information & Communication Technologies |
2021 |
University of A Coruña | Juan Jesús Romero Cardalda, Adrián Carballal |
Computer Science |
artificial intelligence, machine learning, deep learning, soft computing, visual arts |
| “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) | 4235 | Tianyu Jiang |
Master of Arts in Cinema Studies |
2019 |
Stockholm University | Malin Wahlberg |
Department of Media Studies |
Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship |
| From Land Art to Eco Art: An exploration of Joseph Beuys’ pivotal social sculpture, 7000 Oaks – City Forestation instead of City Administration as a bridge between the two to inform the author’s developing practice. | 4236 | Phil Barton |
MA Art & Science |
2020 |
Central Saint Martins, University of the Arts London | Adrian Holme |
Art & Science |
EcoArt, Environment, Art & Science, Joseph Beuys, Land art, |
| REMIXING THE COLONIAL KEYSTONE: ACTIVATING THE AUDIBLE FOR PEDAGOGICAL POTENTIAL | 4237 | Lance Rautzhan |
Master of Professional Studies, Art Education |
2020 |
Pennsylvania State University | Karen Keifer-Boyd, Wanda Knight, Aaron Knochel |
Art Education |
new media, art, art education, sound studies |
| RESOUNDING THE VOICE. On repurposing the archival material of voice, from analogue to digital. | 4238 | Olivia Louvel |
Masters Degree |
2020 |
University of Brighton | Kersten Glandien |
Digital Music & Sound Arts Programme |
Archive. Resounding. Voice. Spoken Word. Digitisation. Musique Concrète. Sound Art. |
| Cross-Border Interludes: Entanglements of a Socially Engaged Art Practice | 4239 | Maria Michails-Posidis |
PhD |
December, 2020 |
Rensselaer Polytechnic Institute | Kathy High, Lawson, Shawn ; Vamos, Igor; Kinchy, Abby |
Arts |
Art and technology; Co-creation; Community art; Environmental art; Social practice; Socially engaged art |
| Model–Database–Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives | 4241 | Lozana Rossenova Mehandzhiyska |
PhD |
2021 |
London South Bank University | Annet Dekker, Andrew Dewdney; Dragan Espenschied |
School of Art and Creative Industries |
digital archives; HCI; interface design; linked open data; data modeling; database design; user agency; net art; ArtBase; Rhizome;; |
| Curation and display of interactive new media art: making a manual | 4242 | Rene Alberto Garcia Cepeda |
Phd |
2020 |
University of Sunderland | Beryl Graham, Alexandra Moschovi |
Art and design |
New media art, curation, exhibition design, art, technology, digital, manual |