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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Altered states of consciousness as an adaptive principle for composing electroacoustic music | 3532 | Jonathan Weinel |
PhD |
2012 |
Keele University | Rajmil Fischman, Diego Garro d.garro@keele.ac.uk, Oliver Harris oliverharris@mac.com |
Music |
Music, Electroacoustic Music, Sonic Arts, Altered States of Consciousness, Hallucinations, Entoptic Phenomena, Max/MSP, Audio Visual Composition |
| Alternative Aesthetics of Inclusive Design | 3957 | Sanjay Sahota |
Design Futures MA |
2018 |
Cardiff Metropolitan University | Steven Thompson, Theo Humphries |
Speculative Design |
|
| Alternative Realities: Protect me from what I want | 4077 | Shirley Leung |
MFA |
2020 |
Parsons School of Design. Design and Technology Department. | Katherine Moriwaki, Jaime Keiles |
Design & Technology |
reflection, speculation, alternative realities, multiverse, parallel universes, race, identity, privilege, machine learning and prediction, Asian American, personal narrative |
| Ambivalent Animal | 3150 | Geoffrey Thomas |
PhD |
2010 |
Georgia Institute of Technology | Jay D. Bolter |
Digital Media |
Animality, Animal Studies, Art & Design, Philosophy, Art & Technology, Digital Media, Media Studies, Post-structuralism |
| American Boy: Immigration, Tutorials, a Loop of Play | 4331 | Maksym Prykhodko |
Intermedia and Digital Arts |
2021 |
University of Maryland, Baltimore County | Kathy O'Dell, Dan Bailey, Jules Rosskam |
Fine Arts |
immigration, assimilation, ukraine, identity, play, internet, |
| Amplifying Ambiguities: | 3741 | Nora S. Vaage |
PhD |
2016 |
University of Bergen | Rasmus Tore Slaattelid |
Theory of science and ethics |
bioart, artscience, ethics, DIYbio, biodesign |
| Amplifying Ambiguities: | 3741 | Nora S. Vaage |
PhD |
2016 |
University of Bergen | Rasmus Tore Slaattelid |
Theory of science and ethics |
bioart, artscience, ethics, DIYbio, biodesign |
| An enactive approach to digital musical instrument design | 3151 | Newton Armstrong |
Ph.D. |
2006 |
Princeton University | Barbara White, Daniel Trueman |
Music |
Enaction; Human-computer Interaction; Phenomenology; Digital Musical Instruments |
| An evaluation of digital interfaces for music composition and improvisation | 3777 | Konstantinos Vasilakos |
Doctoral (PhD) |
2016 |
Keele | Mike Vaughan, Rajmil Fischman |
Music & Music Technology/Humanities |
Music, Music Technology, Composition, Improvisation, Electroacoustic Music, Live Coding, Digital Interfaces, Interactive Sound Installations |
| An Experimental Research into Inhabitable Theories | 3152 | Claudia Westermann |
PhD |
2011 |
University of Plymouth | Roy Ascott, Mike Phillips |
School of Art and Media |
architecture, poetics, cybernetics, logics, 2nd order, discourse, transdisciplinary |