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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Towards a sciart prospectus for climate change | 3479 | Andrew Ormston |
MSc Environment, Culture and Society |
2011 |
University of Edinburgh | Emily Brady |
Geoscience |
sciart; scientist and artist collaboration; interdisciplinarity; polar art; visualization; communication of science |
| Towards a Species Songbook: Illuminating the Vocalisations of the Australian Pied Butcherbird (Cracticus nigrogularis) | 3480 | Hollis Taylor |
Doctor of Philosophy |
2008 |
University of Western Sydney, Australia | Michael Atherton, Garth Paine |
School of Contemporary Arts |
birdsong, pied butcherbird, zoömusicology, notation, sonogram |
| Towards an Ecosophy: A Reading of the Critical Significance of Experimental Ethnographic Video Through the Lens of Félix Guattari’s 'The Three Ecologies' | 4019 | Edward Christie |
Master of Arts |
2018 |
The Courtauld Institute of Art | Julian Stallabrass |
History of Art |
Experimental Ethnographic Video, Ecosophy, Environmental Crisis, Crisis, Climate Change, Felix Guattari |
| Towards Autonomous Agents for Live Computer Music: Realtime Machine Listening and Interactive Music Systems | 3481 | Nicholas Mark Collins |
PhD |
2006 |
Cambridge | Ian Cross and Dr Alan Blackwell |
Computer Music |
virtual musicians, machine musicianship, interactive music systems, machine listening, beat tracking, musical agents, onset detection, perceptual attack time, audio analysis, autonomous agents |
| Tracing the History and Theory of Conceptual Art and Technology: the Case Study on Harold Cohen | 4044 | Merve Sahin |
Master of Arts |
05/01/20 |
San Francisco Art Institute (SFAI) | Meredith Tromble, Frank Smigiel (Reader), Vanessa Chang(Reader) |
History and Theory of Contemporary Art |
creativity, conceptual arts, art and technology, art criticism, harold cohen, history and theory, formalism, clement Greenberg, jack burnam, cybernetics, language, Aaron, drawing, coloring, visual imagery, semantics, syntax, mysticism, Alan Turing, mimick |
| Trans-action: an actor-network approach to interactivity in the visual arts | 3482 | Mark Cypher |
PhD |
2011 |
University of Western Australia | Ian McLean |
Faculty of Architecture, Landscape and Visual Arts |
trans-action, interactivity, visual arts, actor-network theory, distributed cognition, distributed embodiment, enactive signification, relational materiality, information materiality, |
| Transactional Arts - Art as the Exchange of Values and the Conversion of Capital | 3483 | Daniela Alina Plewe |
PhD |
2010 |
Sorbonne Paris 1 | Anne-Marie Duguet |
Lab for Arts and Medias |
Contemporary Art, Media Art, Interactive Art, Art and Business, Relational Aesthetics, Transactional Arts |
| Transcending Perception: An Exploration into Virtual, Mixed, and Expanded Reality | 3911 | John Desnoyers-Stewart |
Master of Fine Arts |
2018 |
University of Regina | Megan L. Smith, David Gerhard |
Faculty of Media, Art, and Performance |
virtual reality, mixed reality, virtuality, public virtual reality, interactive installation |
| Transdisciplinary artistic production from the field of biology and technology in the second decade of the 21st century | Hamilton Mestizo |
PhD |
2023 |
Complutense University of Madrid | Jaime Munárriz |
Fine Arts |
ffff |
|
| TRANSDISCIPLINARY INTELLIGENCE: LINKING FACTORS OF KNOWLEDGE PRODUCTION AND THE CULTURAL DIMENSIONS OF INDUSTRIES | 4267 | Alex Garcia Topete |
PhD |
2021 |
The University of Texas at Dallas | Roger Malina, Heidi Rae Cooley, Frank Dufour, Haemin Dennis Park, Mark Cooper |
Arts, Technology, and Emerging Communication |
transdisciplinarity, interdisicplinarity, organizational behavior, organizational design |