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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Medium Media Mater: Experiences in art between material and subtle | 4093 | Ana Cecília Mattos MacDowell |
PhD |
2019 |
Universidade Federal do Rio de Janeiro- UFRJ | Carlos Augusto Moreira da Nóbrega, Maria Luiza Fragoso |
PPGAV- EBA / Poéticas Interdisciplinares |
Experience, art, technology, science, spirituality, noethic, video, plasma, body, mind, trans-sensorial, médium, media, mater, videonoethics |
| On Ethics In Emerging Media Arts: The CounterBias As A Strategy For Reversing Issues Of Privacy And Surveillance | Ana Herruzo |
PhD |
2022 |
UPM - Technical University of Madrid | Eduardo Roig |
School of Architecture Ideation Department |
Ethics, Emerging Media, Media Arts, Surveillance, Privacy, Bias, Artificial Intelligence, Computer Vision, Data, Emerging Technologies, Digital Media, Interactive Media. |
|
| Photography as the Evidence | 3360 | Ana Peraica |
Ph.D. |
2009 |
University of Rijeka | Elvio Baccarini, Snjezana Prijic Samardzija |
International Study of Philosophy and Modernity, Department of Philosophy |
Annotation, Denotation, Evidence, Existence, Frame, Index, Manipulation, Objectivity, Photo-camera, Photographer, Photographic truth, Photography, Photomontage, Punctum, Referent, Retouch, Studium, Transparency, Viewpoint |
| OCEANIC ALCHEMY: Collaborations and Surrenderings in Film Eco-Processing | 4273 | Ana Valine |
Master of Fine Arts |
2021 |
Emily Carr University of Art + Design | Alla Gadassik, Lindsay McIntyre |
Film and Media |
film, experimental film, eco-processing, 16mm, oceanic feeling, seaweed developer, hand processing, salt water fix, shoreline |
| OBJECTS OF CULTURE: COLLECTIONS OF SCIENCE AND TECHNOLOGY IN ENGLAND 1800-1880 | 3337 | ANASTASIA FILIPPOUPOLITI |
PhD |
2005 |
UNIVERSITY OF LEICESTER (UK) | SIMON J. KNELL |
DEPARTMENT OF MUSEUM STUDIES |
science collections, science museums, history of collecting, history of museums, history of science communication, history of science exhibitions |
| Genetic art and Recombinants: Introns Non-code and the Proto-animate Condition | 3262 | Andre Brodyk |
PhD |
2009 |
University of New South Wales | Emeritus Elizabeth Ashburn OAM, Ian Howard |
College of Fine Art |
Recombinant, introns, non-code, proto-animate, genetic, DNA |
| Computer Vision and Contemporary Visualities: Compositions of Seeing and the Visible Between Technics, Science, and Art | 3627 | André Goes Mintz |
M.A. |
2015 |
Universidade Federal de Minas Gerais | André Guimarães Brasil |
Social Communication / Image Pragmatics |
computer vision; dispositif; image; observer |
| Enactive Soundscapes: toward a naturalized aesthetics | 3731 | André Luiz Gonçalves de Oliveira |
Doctorship |
2013 |
University of Brasilia - UnB | Diana Maria Gallicchio Domingues |
Art and Technology |
Enactive soundscape; Naturalized aesthetic; Art and technoscience; Enactionist technology; Ecology of art |
| Learning to use melodic similarity and contrast for narrative using a Digital Tabletop Musical Interface | 3947 | Andrea Franceschini |
PhD |
2016 |
The Open University, UK | Robin Laney, Chris Dobbyn |
Computer Science, Music Technology, Human-Computer Interaction |
music, similarity, contrast, melody, entropy, narrative, tabletop, HCI |
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |