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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Atlas of the Hole/House of Dementia: the Escutcheon, the Hearth and the Floor-cloth as Motifs for Dwelling and Storytelling | 4250 | Diego de las Heras Pardo |
DPhil Fine Art |
2020 |
University of Oxford | Ian Kiaer, Brandon Taylor |
The Ruskin School of Art |
Imagination, Vernacular Architecture, Cultural Dementia, Dementia, Exhibition making, Storytelling, Mnemonics, Installation Art |
| Reconfiguring Space | 3381 | Paul Thomas |
PhD |
2006 |
University of Western Australia | Ian Mclean |
The School of Architecture and Fine arts |
perspective, space, Fillippo Brunelleschi, Char Davies, media art, perception |
| 'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies | 3862 | Kristin Carlson |
PhD |
2016 |
Simon Fraser University | Thecla Schiphorst |
The School of Interactive Arts and Technology |
Choreographic Process; Sketching; Defamiliarization; Genetic Algorithm; Embodied Experience; Creativity |
| The theatrical experience as human transformation: theater and neuroscience of emotions | 3519 | Dorys Faria Calvert |
PhD |
2014 |
Christine Hamon-Siréjols |
Theater |
Theater, neurosciences, emotions, neuroplasticity, transformation, theater therapy |
|
| Virtual Reality Applications in Television Scenes | 3502 | Sharif El-Sayed Sharif |
Master |
2004 |
Alexandria University | Dr/ Medhat Metwally |
Theater and set design |
Virtual Reality, Television, interactive, telepresence, Artificial reality |
| Performative Experience Design: Theories and practices for intermedial autobiographical performance | 3744 | Jocelyn Cady Spence |
PhD |
2015 |
University of Surrey | David Frohlich, Stuart Andrews |
Theatre (interaction design) |
human-computer interaction, interaction design, experience design, performance studies, autobiographical performance, theatre, Collect Yourselves!, devising, guidelines, attending, marking, self-making, heightened attention, situatedness, aesthetics of th |
| Vocal Empowerment for Young Egyptian Women: Increasing Contributions to Sustainable Development | 3952 | Sarah Fahmy |
Master of Arts |
2019 |
University of Colorado Boulder | Beth Osnes, Marcos Steuernagel |
Theatre and Performance Studies |
Sustainable Development, Egypt, Young Women, Vocal Empowerment, Postcolonialism |
| Amplifying Ambiguities: | 3741 | Nora S. Vaage |
PhD |
2016 |
University of Bergen | Rasmus Tore Slaattelid |
Theory of science and ethics |
bioart, artscience, ethics, DIYbio, biodesign |
| Amplifying Ambiguities: | 3741 | Nora S. Vaage |
PhD |
2016 |
University of Bergen | Rasmus Tore Slaattelid |
Theory of science and ethics |
bioart, artscience, ethics, DIYbio, biodesign |
| The Symbiosis of Traditional and Digital Techniques | 3467 | Petya I. Trapcheva-Kwan |
MFA Computer Art |
2012 |
School of Visual Arts, New York | Russet Lederman |
Thesis Research and Writing |
traditional, digital, animation, painting, drawing, technology, comparison, William Kentridge, Shahzia Sikander, Nina Paley, Petya Trapcheva-Kwan, Trapcheva, retro, contemporary, old-fashioned, science, computer, reinvent, creation, expression, no boundar |