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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Para-images: Cultural Ideas and Technical Apparatuses Beyond the Pictorial Surface | 4205 | Sheung Yiu |
MA Visual Culture, Curating and Contemporary Art |
2019 |
Aalto University | El Baroni, Bassam, Daniel Rubinstein |
Art |
Photography theory, Technical Images, CGI, Computer Vision, Simulation, Agential Realism |
| Alternative Realities: Protect me from what I want | 4077 | Shirley Leung |
MFA |
2020 |
Parsons School of Design. Design and Technology Department. | Katherine Moriwaki, Jaime Keiles |
Design & Technology |
reflection, speculation, alternative realities, multiverse, parallel universes, race, identity, privilege, machine learning and prediction, Asian American, personal narrative |
| Pathways of Light | Shivani Mathur |
MFA |
2022 |
UAL | Sheena Calvert |
MA Art and Science |
Infinite, zero, pathways of light, cracks, relationships, physics, Vedanta, philosophy, mathematics, pattern, world order |
|
| SciArt and Environmental Restoration: The role of intentionality in audience engagement | 4274 | Sierra Adler |
Master of Science Communication |
2019 |
University of Otago | Jenny Rock |
SciArt, Environmental Restoration, Interactivity, Art, Community Arts Practice, Intentionality |
|
| The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition | 3540 | Silvia Casini |
PhD |
2008 |
Queen's University, Belfast (UK) | Desmond Bell, Dr. Des O' Rawe |
Visual Studies and Film |
MRI, brain, aesthetics, sculpture, image, cinema, visualization, medicine, body, laboratory, experimental subject, exhibition |
| No in Disguise: Algorithmically Targeted Conversations about Sexual Consent | 3863 | Simon Boas |
Master of Fine Arts |
2018 |
University of California, Santa Cruz | Warren Sack, Sharon Daniel, Edward Shanken, Dee Hibbert-Jones, Suresh Lodha |
Digital Arts and New Media |
consent, data, gender, misogyny, social media, web scraping, critical computing |
| Networks of Liveness in Singer-Songwriting: A practice-based enquiry into developing audio-visual interactive systems and creative strategies for composition and performance. | 4009 | Simon Waite |
PhD |
2019 |
De Montfort University | John Richards, Bret Battey |
Music |
Singer-songwriters, songwriting, interactive, systems, live, performance, electronic, music, liveness, networks, audio-visual, visuals, Ableton, Max, performer |
| Understanding | 3493 | So-young Park |
Master of Applied Science |
2006 |
Simon Fraser University | Ron Wakkary, Andrew Feenberg |
Interactive Arts |
Open work, Umberto Eco, Audience participation, Interactive art, Digital media |
| An exploration of a diversity of vision in digital art projects in relation to issues of engagement | 3153 | sonja van Kerkhoff |
MSc (Media Technology) |
2008 |
Leiden Institute of Advanced Computer Science, University of Leiden, The Netherlands. | Michael S. Lew, LIACS Media Lab, Sarah Kettley, Nottingham Trent University |
Media Technology, dept. Computer Science |
Augmented reality, digital media, discourse analysis, engagement, immersion, interactive art, virtual reality |
| Microbial Mood: exploring how sound effects the human microbiome | 4084 | Sophia Charuhas |
Master of Arts |
2019 |
Liverpool John Moores University |
School of Art and Design |