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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Design Foundations: Towards A Model Of Style Grammar In Creative Drawing | 3720 | Jennie Sweo |
Doctorate |
2017 |
Victoria University of Wellington, New Zealand | Sydney Shep, Douglas Easterly |
Design/Design Studies |
visual grammar, style grammar, drawing |
| Cloud computing as digital imaginary | 4098 | Jayn Verkerk |
Doctor of Philosophy |
2020 |
Victoria University of Wellington | Assoc. Prof Sydney Shep, Anne Niemetz |
Design |
cloud computing, critical making, black boxed technology, invisible technology, digital imaginary, digital materiality, digital artefacts, physical artefacts, creative practice, data surveillance, user imaginary, Internet of things, Internet aesthetic |
| Channelisation of Noise through a Rhythmic Grid: Brutalist Mechatronic Sound-sculpture | 3809 | Mo H. Zareei |
PhD |
2016 |
Victoria University of Wellington | Ajay Kapur, Suk Kyoung Choi |
Music/Sonic Arts |
Sound-sculpture, Mechatronic Sound Art, Glitch, Brutalism, Noise |
| Embroidery Designs at Embroidery MIX | 3616 |
Indie, Rock, Prog |
Version 1, Version 2 | |||||
| Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? | 4016 | Kathleen Wilson |
MFA |
2010 |
Vermont College of Fine Arts | Louise Hawes |
Writing for Children and Young Adults |
Digital Literature, Short Form Serial Stories with Digital Media, Interactive Digital Storytelling, Collaborative Writing with Social Media,Cell Phone Novels, Electronic Literature |
| Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? | 3828 | Kathleen S. Wilson |
MFA |
2010 |
Vermont College of Fine Arts | Louise Hawes |
Creative Writing |
Digital Literature, Cell Phone Novels, History of Literature, Digital Fiction, Digital Serials, Epistolary Narratives, Episodic Digital Novels, Blog Novels, Twitter Novels, Fiction for Networked Devices |
| Ecological Art As Gift: A Means To Facilitate Positive Changes In The World Water Crises | 3758 | Krisanne Baker |
MFA in Visual Arts |
2008 |
Vermont College of Fine Arts | Michael Minelli, Miwon Kwon |
Visual Arts/ Ecoart/ Multimedia Installation |
Ecological Art, gift, social justice, water, regeneration, entropic |
| Qatipana: Individuation processes on the relationship between Art, Machine and Natural Systems | Renzo Filinich |
PhD |
2022 |
Valparaiso University | Adolfo Vera Peñaloza, Javier Blanco |
PhD in Interdisciplinary Studies on Thought, Culture and Society |
Media Arts, decolonial, machine, individual, Individuation, Art Ecosystems, Third Order-Cybernetics, Organology, Cosmotechnics |
|
| The Regime of Amplification | 3645 | John C. Hopkins |
PhD |
2013 |
UTS & La Trobe University | Norie Neumark |
School of Communication, Arts and Critical Enquiry |
amplification, energy, entropy, presence, creativity, protocol, process, dialogue, system, pathway, mediation, media, flow, technology, networks, techno-social system, continuum-of-relation, encounter, participation |
| Instants of Metamorphosis: The collective as process; the process as system | 4171 | Clarissa Ribeiro |
Ph.D. |
April 1st 2011 |
USP University of Sao Paulo, Brazil/ University of Plymouth, UK | Gilbertto Prado, Roy Ascott |
ECA USP School of Communication and Arts / Media Arts |
Antenarratives, Collective creative processes in digital arts, Complex adaptive systems, Complexity, Emergence, Quantum Entanglement, Self-organization, Storied spaces |