Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Diffracting Painting: 'Mattering' as Reconfiguration of its Making, Understanding and Encountering | alberto condotta |
PhD |
2017 |
Birmingham City University | Johnny Golding |
Birmingham School of Art |
Aesthetics; Art Theory; Complexity Theory; Deconstruction; Painting; Theory and Practice of Visual Art; Art Encounters; Mattering; Practice-led Art Research; Sense of Self; Agential Realism; Diffraction; Phenomenology of Art; Radical Matter; Homage Art; Phenomenological Analysis of Art; Phenomenology of Painting |
|
| Empathy Is the Devil: Employing Conventions and Themes of Early Cinema in Contemporary Practice | Carey Ryan |
PhD |
2017 |
Griffith University | Patricia FitzSimons |
Griffith Film School/Queensland College of Art |
Silent cinema techniques |
|
| Foggy Pursuit of Ethical Response-Ability: Art and Science of Collecting Water from Fog | Anna Rewakowicz |
PhD |
2021 |
École Polytechnique | Frédéric Brechenmacher |
Laboratoire interdisciplinaire de l'École polytechnique en sciences humaines et sociales (LINX-SHS) |
Art & science collaboration, Water scarcity, Collecting Water from fog, Relational ethics, Community |
|
| Mežs | Rihards Vitols |
PhD |
2021 |
University of Washington | Afroditi Psarra |
Digital arts and experimental media |
Ai, ML, artificial nature, future of forests, soundscapes, speculative art, trees, digital art, |
|
| Building with Data: Bridging Architectural Design Practices and Information Visualization | Carmen Hull |
PhD |
2022 |
University of Calgary | Wesley Willett |
Computational Media Design |
Data Visualization, Architectural Methods, Data Physicalization, Generative Design |
|
| On Lightscapes: Exploring the Aesthetics and Narrativities of Light and Colour in Contemporary Hong Kong | 4299 | Cornelia Erdmann |
PhD |
2021 |
Hong Kong Baptist University | Louis Nixon |
Academy of Visual Arts |
atmosphere, spatial qualities, light, colour, perception, aesthetics, narrativity, site-specific art, lightscape, light art |
| The materiality of digital art: practices of integration of everyday objects into sociopolitical media artworks | 51287 | Caterina Antonopoulou |
PhD |
2021 |
University of the Aegean | Nikos Bubaris |
Department of Cultural Technology and Communication |
Media art; Materiality; Object of everyday use; New media; Digital art; Critical, socially engaged, tactical art; Human - Computer interaction; Physical computing; Internet of Things; Open Technologies; Digital Commons; Networks of more-than-human entities; Sociopolitical artworks |
| The materiality of digital art: practices of integration of everyday objects into sociopolitical media artworks | 51287 | Caterina Antonopoulou |
PhD |
2021 |
University of the Aegean | Nikos Bubaris |
Department of Cultural Technology and Communication |
Media art; Materiality; Object of everyday use; New media; Digital art; Critical, socially engaged, tactical art; Human - Computer interaction; Physical computing; Internet of Things; Open Technologies; Digital Commons; Networks of more-than-human entities; Sociopolitical artworks |
| Digitizing an Art Gallery - Process of Creation and Evaluation of the GAIA Virtual Platform | Rogerio Bordini |
PhD |
2021 |
University of Campinas | Cesar Augusto Baio |
Arts Institute |
art gallery; virtual environments; digital technologies |
|
| TRANSEUNTIS MUNDI: A NOMADIC ARTISTIC PRACTICE | Cândida Borges da Silva |
PhD |
2022 |
Plymouth University | Eduardo Miranda |
Interdisciplinary Center for Computer Music Research |
transmedial composition; transculture; mobility; migration; ancestry; transhumance; nomadic thought; anthropophagy; virtual reality; composition; walkscapes; derive; transaction; transportation; minimal stories; immersion; interactivity. |