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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| 3D Information Place: Architecture for Virtual Place-Making and Information Navigation | 3124 | Pei-Hsien Hsu |
PhD |
2009 |
Cambridge University | Francois Penz |
Architecture |
architecture, virtuality, place, information, navigation |
| <random> search | 3123 | Ayah Bdeir |
Masters of Science in Media Arts and Sciences |
2006 |
Massachusetts Institute of Technology | Chris Csikzentmihalyi |
Media Lab, School of Architecture and Planning |
metal detector, magnetometer wand, random selection, ethnic discrimination, pat down, security screening, racial profiling, Transportation Security Administration, body frisk, security theater, intrusive search, abuse of power, abiding traveler, silent bo |
| (RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. | 3122 | Jennifer Willet |
PhD |
2009 |
Concordia University | Kim Sawchuk |
Interdisciplinary Humanities |
bioart, embodiment, biotechnology, art, technology, bioteknica |
| Design of Interstellar Message Based on Natural Language and It’s Application as a Multidisciplinary Art | 1601 | Jongkuk Won |
Master's |
2022 |
Sogang University | Jusub Kim |
Art & Technology |
Interstellar Message, METI, Messaging to Extraterrestrial Intelligence, SETI, Searching for Extraterrestrial Intelligence, Multidisciplinary art, Space art, SciArt |
| Coup d’état Reclaiming Form and Color | 1 | Mehran Aghazadeh |
MFA |
2022 |
Purdue University | Fabian Winkler |
Art and Design |
Iranian culture, contemporary Islamic art, totalitarianism, theocracy, politics of visual culture, political Islam, subversive patterns |
| Duchamp Meets Turing: Art, Modernism, Posthuman ? | Gabriela Galati |
Doctor of Philosophy |
2016 |
Plymouth University | Pier Luigi Capucci, Roy Ascott, Prof. Derrick De Kerckhove, Prof. Antonio Caronia |
Faculty of Arts and Humanities |
difference, repetition, digitalisation, archive, event, embodiment, technological unconscious, subjectivities, modernism, readymade, posthuman |
|
| Reanimator/Reflection: Creating Mirrors through Time with AI, Sound, Video and Live-generated Art in the Dark Age of the COVID-19 Pandemic | Eric Millikin |
Master of Fine Arts |
2021 |
Virginia Commonwealth University | Bob Paris, Paul Rucker, Semi Ryu, Wes Taylor |
Fine Arts / Kinetic Imaging |
artificial intelligence art, art and technology, sound art, video art, generative art, COVID-19, horror literature |
|
| Spatial authoring of virtual exhibitions using 3D visualization of the correlation among artwork metadata | Inhwa Yeom |
Master's |
2021 |
Korea Advanced Institute of Science and Technology (KAIST) | Woontack Woo |
Culture Technology |
3D authoring, Virtual exhibition, Virtual curation, Metadata visualization |
|
| Voice and poetry as inspiration and material in acousmatic composition | Alejandro Albornoz |
PhD |
2020 |
University of Sheffield | Adam Stanović |
Department of Music |
Acousmatic composition, voice and sound poetry, creative methods, music analysis |
|
| Silent Partnership in the Age of Smart Technology | YUEH-JUNG LEE |
Master's |
2020 |
Arizona State University | John Wise |
Communication Studies |
smart technology, silent partner, partnership, Internet of things, design principle |