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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| De-coding the Digital Revolution: A Critical Approach to the Presentation of the Term in Business Literature at the Turn of the Millennium | 3199 | Genco GULAN |
MA, Media Studies. |
2001 |
New School, NY, NY | Martin Roberts |
Media Studies |
Digital, Revolution, Digital Revolution, new media, digital theory, net-art, social change, de-materialisation |
| Dark Room Project | 3198 | Virginia M Madsen |
Doctorate Of Creative Arts(DCA) |
2001 |
University of Technology, Sydney | Norie Neumark, Stephen Muecke |
Dept. of Media and Text, Faculty of Humanities and Social Sciences |
Theories and cultures of listening and vision, radio and audio arts, television and virtual reality, Critical theory, media theory, Paul Virilio, Michel Serres, Jean-Francois Lyotard, sound studies, media studies, phenomenology of media. |
| Ceremony of Innocence: A Case Study of the Emergent Poetics of Interactive Narrative | 3184 | Jim Bizzocchi |
S.M. (Master of Science) |
2001 |
Massachusetts Institute of Technology | Peter S. Donaldson, Henry Jenkins (MIT); Dr. Tom Carey (University of Waterloo) |
Comparative Media Studies |
interactive narrative; aesthetics; expressionism; close reading; poetics of new media; epistolary novel; Bantock; Ceremony of Innocence; CD-ROM; Griffin and Sabine; cursor; embedded narrative; |
| Art in the Information Age: Cybernetics, Software, Telematics, and the Conceptual Contributions of Art and Technology to Art History and Aesthetic Theory | 3161 | Edward Allen Shanken |
Ph.D. |
2001 |
Duke University | Hans Van Miegroet, WJT Mitchell |
Art History |
art, technology, software, information, conceptual, burnham, ascott, telematics, cybernetics, language, systems theory, information theory, robotics, telerobotics, kac |
| stories in between: a dissertation | 3410 | drew davidson |
ph.d. |
2001 |
university of texas at austin | sandy stone and ron greene, lynn miller, john slatin, joni jones, richard shiff, paul gray |
communication studies |
stories, narrative, media, games, comics, web, hypertext, performance |
| aether: an experiment in the phenomenology of reading | 3144 | Erik Conrad |
M.S. Information Design and Technology |
2002 |
Georgia Institute of Technology | Sha Xin Wei, Ken Knoespel, Stephanie Strickland |
School of Literature, Communication and Culture |
tactile vision, experimental documents, reading, interaction design, interactive art |
| Screen and Frame in Painting in the Digital Era | 3398 | Melina Berkenwald |
PhD |
2002 |
University of Westminster, London. | Paddy Scannell, Jane Prophet |
School of Media, Art and Design / Art |
painting, technology, screen, frame, art production, art display |
| Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | 3142 | Melanie Swalwell |
Doctor of Philosophy |
2002 |
University of Technology, Sydney | Norie Neumark |
Faculty of Humanities and Social Sciences |
senses, aesthetics, technology, affect, intensity, hyper, experience, experimentation, LAN, games, shock, anaesthetics, innervation, audience |
| Phase Space Portraits of the Nuestra Señora delos Dolores of Baclayon | 3358 | Fatima Lasay |
Master of Fine Arts |
2002 |
University of the Philippines | Santiago Albano Pilar |
Graduate School Program, College of Fine Arts |
recurrence plots, religious sculpture, dynamical systems, glass engraving, |
| PARABOLA-IMAGO: Creative Transmutations between Verbal and Visual Signs. PARABOLA-IMAGO: Transmutações Criativas entre o Verbal e o Visual. | 3350 | Agnus Valente |
Master's Degree in Art |
2002 |
University of São Paulo, Brazil | Julio Plaza Gonzalez |
Arts Department - School of Communications and Arts - ECA/USP |
word and image intersemiosis; visual arts, semiotics; intertextuality; open work; metalanguage; concrete poetry; heuristic methods, visual poetics, intersemiose palavra e imagem; artes visuais, semiótica; intertextualidade; obra aberta; metalinguagem; po |