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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| KNOTTING THE MEMORY//ENCODING THE KHIPU_: Reuse of ancestral Andean technologies as new experimental sound interfaces in the fra | Laddy Cadavid Hinojosa |
Master's |
2022 |
Universitat Politècnica de València | Christa Sommerer |
Interface Cultures |
Decolonial aesthetics, ancient Andean technologies, Khipu, Yupana, Experimental sound performance, NIME. |
|
| Art, Drones and Hacktivism: The Invisible seen from Above | Joana Silva |
MFA |
2022 |
University of Lisbon - Faculty of Fine Arts | Mónica Mendes |
Multimedia Art |
Drone Art, Hacktivism, Counter-look, Augmented Reality, Interactive Installation |
|
| Techniques of Oversight and [Counter]Intelligibility 2000-2018 (A Few Small Opacities) | Abram Stern |
PhD |
2022 |
University of California, Santa Cruz | Anna Friz |
Film and Digital Media |
media theory, digital art, oversight, opacity, surveillance, media art, software studies, metadata, feminist art, government records |
|
| Abyss without Vertigo | Jack Madden |
MFA |
2022 |
Rhode Island School of Design | Shona Kitchen |
Digital+Media |
||
| Refiguring Oil and/as Media: Field Notes for Future Petropractices | Elia Vargas |
PhD |
2022 |
University of California at Santa Cruz | Soraya Murray |
Film and Digital Media |
Media Praxis |
|
| The Sinograph in Digital Language Art | Yue Jin Ho |
PhD |
2022 |
City University of Hong Kong | Daniel HOWE |
School of Creative Media |
electronic literature, sinograph, affordance, hermeneutics, Chinese, kanji, digital language art, media art. |
|
| On Ethics In Emerging Media Arts: The CounterBias As A Strategy For Reversing Issues Of Privacy And Surveillance | Ana Herruzo |
PhD |
2022 |
UPM - Technical University of Madrid | Eduardo Roig |
School of Architecture Ideation Department |
Ethics, Emerging Media, Media Arts, Surveillance, Privacy, Bias, Artificial Intelligence, Computer Vision, Data, Emerging Technologies, Digital Media, Interactive Media. |
|
| COMPUTATIONAL AESTH-ETHICS: Understanding visual computation processes between the image and its context | Kristina Tica |
Master's |
2023 |
University of Art and Design (Kunstuniversität) | Manuela Naveau |
Interface Cultures |
machinic vision, image-making, image-reading, database, automated creativity, aesth-ethics, generative ideology, algorithmic thoughtlessness, algorithmic culture, demystification |
|
| Noto, Source Han & Plex: The language of America’s Korean fonts | Michelle Devlin |
Master's |
2023 |
Royal College of Art | Emily Candela |
Research & Innovation |
Writing as Practice, digital marketing, language, decolonization, Korean fonts |
|
| ECOLOGY OF ENCOUNTERS - Meeting spaces for humans and non-humans in media art | Noor Stenfert Kroese |
Master's |
2023 |
Universität für künstlerische und industrielle Gestaltung – University of Art and Design Linz | Manuela Naveau |
Interface Cultures |
Critical Posthumanism, New Materialism, Diffraction, Agential Realism, Non-Human, New Media Arts, Hybrid Art, Bio Art, Robotics, Bio-Sensors, Public Art, Interspecies, Data visualizations, Data-Storytelling, Practices of care, Intra-activity, Ecologies, Affective systems, Sensing Technologies |