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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Deep Visual Instruments: Realtime Continuous, Meaningful Human Control over Deep Neural Networks for Creative Expression | 4256 | Memo Akten |
PhD |
2021 |
Goldsmiths, University of London | Mick Grierson, Rebecca Fiebrink |
Computing and the Arts |
Machine Learning, Deep Learning, Artificial Intelligence, Creative AI, Computational Creativity, Expressive Human Machine Interaction, Visual Instruments, Computer Vision |
| Falling between worlds: The comings and goings of a virtual itinerant wayfarer in a creative community | 4254 | Tess Baxter |
PhD |
2021 |
Lancaster University | Charlie Gere, Jen Southern |
Contemporary Art |
Digital Art, virtual worlds, video art, machinima, Fan Cultures, creativity, Internet, Anthropology, Sociology, Art, Visual, Film, Printmaking, Media, video games, Literature, Literary Studies, Multidisciplinary, Practice Based Research |
| The Worlds of Entanglements: Reflection on Posthumanist Ontologies within the Art&Science projects | Masha Zolotova |
Master's |
2021 |
University of Łodź | Ryszard W. Kluszczyński |
Department of New Media and Digital Culture |
art&science, artistic research, nonhuman, ontological turn, posthumanism |
|
| A Straw Man in the Uncanny Valley | James Lawton |
2021 |
Goldsmiths University | Mattia Paganelli |
Department of Computing |
Artificial intelligence, machine learning, autonomous systems, data handling |
||
| Model–Database–Interface: A study of the redesign of the ArtBase, and the role of user agency in born-digital archives | 4241 | Lozana Rossenova Mehandzhiyska |
PhD |
2021 |
London South Bank University | Annet Dekker, Andrew Dewdney; Dragan Espenschied |
School of Art and Creative Industries |
digital archives; HCI; interface design; linked open data; data modeling; database design; user agency; net art; ArtBase; Rhizome;; |
| User preference prediction using soft computing techniques | 4232 | Iria Santos López |
PhD Information & Communication Technologies |
2021 |
University of A Coruña | Juan Jesús Romero Cardalda, Adrián Carballal |
Computer Science |
artificial intelligence, machine learning, deep learning, soft computing, visual arts |
| Measuring by Measuring Against: A Consideration of Scientific Methods in Conceptual Art Practices | Sara Morawetz |
PhD |
2021 |
University of Sydney | Alexander Gawronski |
Sydney College of the Arts |
Conceptual Art |
|
| INTER-: Design for Fostering Action-Oriented Awareness Toward Sustainable Transition | 4221 | Elena Danlei Huang |
Master of Industrial Design |
2021 |
Rhode Island School of Design | Peter Yeadon, Heewon Lee, Kate Masury |
Industrial Design |
Design research, Sustainable Design, Interdisciplinary Collaboration |
| Bus 22 The Other's Sonic experience | 4220 | Minji Kim |
Master of Music |
2021 |
Royal Academy of Art, The Hague | Arthur Elsenaar |
ArtScience |
Sound Arts |
| Good morning, Mr. Orwell : Focusing on the Process from Full-score to Post-production | Mikyo Kim |
PhD |
2021 |
Kookmin University | Hee-young Kim |
Art Theory and Criticism |
Nam June Paik, Good Morning Mr. Orwell, Two-way Communication, Feedback, Happening, Collaboration, Full-score, Scenario, Post-production, Broadcasting-satellite System |