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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| “Frankenstein Complex” in the Realm of Digital Humanities: Data Mining Classic Horror Cinema via Media History Digital Library (MHDL) | 4235 | Tianyu Jiang |
Master of Arts in Cinema Studies |
2019 |
Stockholm University | Malin Wahlberg |
Department of Media Studies |
Digital Humanities, “Frankenstein Complex”, Meta-inquiry, Media History Digital Library, Arclight, Digital archive, Data mining, Classic horror cinema, Film phenomenology, Queer phenomenology, Horror spectatorship |
| "Being and Becoming: Physics, Hegemony, Art and the Nomad in the Works of Ezra Pound, Marcel Duchamp, Samuel Beckett, John Cage and Thomas Pynchon." | 3668 | Martin E. Rosenberg |
Ph.D. |
1990 |
University of Michigan Rackham Graduate School | Stuart McDougal, William R. Paulson, Ann Herrmann; Julie |
English Language and Literature |
Physics, Philosophy, Literature, Art, Theater, Music, Bergson, Deleuze, Thomas Pynchon, Ezra Pound, Samuel Beckett, John Cage, |
| "Alternative” Storytelling : spoken voice and narrative in sound-based works | 4070 | Hyeon Min Kim (aka Una Lee) |
PhD |
2019 |
Queen's University Belfast, Sonic Arts Research Centre | Paul Stapleton, Franziska Schroeder |
Sonic Arts |
interdisciplinary, autobiography, portfolio-based |
| "A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition" | 3787 | Haytham Nawar |
DOCTOR OF PHILOSOPHY |
2016 |
Plymouth University | Roy Ascott, Mike Phillips |
School of Art and Media, Faculty of Arts |
linguistics, writing systems, communication theory, visual communication, pictographs, semiotic theories, cultural studies, transculturalism, multiculturalism, transhuman, transhumanism, posthuman, posthumanism, singularity, artificial intelligence, unive |
| 'Ah Ha' Moments: Novice Choreographers Using Defamiliarization in Digital Choreographic Technologies | 3862 | Kristin Carlson |
PhD |
2016 |
Simon Fraser University | Thecla Schiphorst |
The School of Interactive Arts and Technology |
Choreographic Process; Sketching; Defamiliarization; Genetic Algorithm; Embodied Experience; Creativity |
| _derivations and the Performer-Developer: Co-Evolving Digital Artefacts and Human-Machine Performance Practices | 3935 | Benjamin Carey |
PhD |
2016 |
University of Technology, Sydney | Associate Andrew Johnston, Jon Drummond |
Music Technology |
Interactive Music, Improvisation, Creative Coding, Reflective Practice, Computer Music, New Interfaces for Musical Expression, Electronic Music, Live Algorithms, Music, Music Composition, Music Performance, Music Technology, Musical Metacreation, Computat |