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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Utopia of Aesthetic Technology | 3497 | hyunkyoung cho |
Ph.D in Engineering |
2010 |
Soongsil University, Seoul, Korea | Joonsung Yoon |
Digital Media |
the collaborative action of technology and human, the performative, beauty, desire |
| VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. | 3539 | Adam Zaretsky |
Ph.D. |
2012 |
Rensselaer Polytechnic Institute (RPI) | Mary Anne Staniszewski, Kathy High, Igor Vamos, Nancy Campbell, Steven Kurtz, Nao Bustamante |
Art Practice: Electronic arts emphasis in Art and Biology |
Transgenic, Bioethics, Aesthetics,Intentional Genetic Modification of the Human Genome (IGM), Human Gene Editing, Bioart, Ecology, Gastronomy, Biotechnology, Ethology, Physiology, Bioinformatics, Genetics, Inheritance, Public, SciArt, Designer Babies, Gen |
| VASTAL: The Vivoarts School for Transgenic Aesthetics, Ltd. | Adam Zaretsky |
Ph.D. |
2012 |
Rensselaer Polytechnic Institute | Mary Anne Staniszewski, Kathy High, Nao Bustamante, Igor Vamos, Nancy Campbell, Steven K |
Electronic Arts, Bioart |
Communication and the arts, Biological sciences, VivoArts School for Transgenic Aesthetics Ltd., (VASTAL), BioArt, Transgenic, Intentional genetic modification, Hands-on biotechnology, Unstill Life Studies (ULS) |
|
| Vector synthesis: a media archaeological investigation into sound-modulated light | 4228 | Derek Holzer |
MA |
2019 |
Aalto University | Antti Ikonen, Marco Donnarumma |
Department of Media, Sound in New Media |
media archaeology, audiovisual performance, open source code, cathode ray tubes, obsolete technology, media art, synesthesia, vector graphics |
| VERS UNE PENSÉE MUSICALE ORIENTÉE-SYSTÈME : l’œuvre musicale auto-organisante | 4321 | Phivos-Angelos Kollias |
PhD |
2017 |
UNIVERSITÉ PARIS 8 - VINCENNES – SAINT-DENIS | Horacio VAGGIONE |
Music Composition - Aesthetics & Interactive Music Technologies |
algorithmic composition, interactive composition, ecosystem composition, feedback instruments, autonomous instruments, complexity, cybernetics, system theories |
| Video Activism in the Italian Centri Sociali. A Visual Ethnography | 3498 | Alessandra Caporale |
PhD in Visual Anthropology |
2003 |
Napier University, Edinburgh, Scotland | Desmond Bell, Louise Milne |
Design and Media Arts |
Ethnography, Visual Anthropology, Community Media, Social Movements, New Media, Art, Activism, Politics |
| Video in the Abyss - In the context of the digital, is analogue video feedback still useful as an approach to making art? | 4195 | Sam Meech |
Master of Arts by Research |
2020 |
Manchester School of Art at Manchester Metropolitan University | David Jackson, Dave Griffiths, Clinton Cahill |
Faculty of Arts and Humanities |
video art, video feedback, digital art, interactive art, |
| Videogames: toys of the posthuman | 3499 | Roger Tavares (Rogério Jr. Correia Tavares) |
PhD |
2006 |
PUC-SP - Pontificia Catholic University in São Paulo, Brazil | Lucia Santaella |
Communication and Semiotics |
Posthuman, cyborg, videogame, body, communication, cyberculture, gameculture, gameart |
| Virtual Apparitions, Digital Ghosts: A Sculptural Manifestation of a Social Network | 3841 | Colleen Jennings |
Master of Fine Arts |
2018 |
University of California, Santa Cruz | Jennifer Parker, Elizabeth Stephens, Edward Shanken |
Digital Arts and New Media |
bodies, body, networks, virtual, social media, sculpture, projection, presence |
| Virtual Art in the Museum and Beyond | 4099 | Valeria Facchin |
MA Curating the Art Museum |
2019 |
Courtauld Institute of Art | Martin Caiger-Smith |
Curating |
Keywords: Virtual Art, Museum, Collection, Digital Preservation |