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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Fluid Equilibrium : ?sensing with biophotonic field through technoetic performance | Yishuai Zhang |
MFA Computational Arts |
04/01/20 |
Goldsmiths University | Helen Pritchard |
Computing department |
computation, performance art, biophysics, biophoton, energy landscape |
|
| Coup d’état Reclaiming Form and Color | 1 | Mehran Aghazadeh |
MFA |
2022 |
Purdue University | Fabian Winkler |
Art and Design |
Iranian culture, contemporary Islamic art, totalitarianism, theocracy, politics of visual culture, political Islam, subversive patterns |
| Design of Interstellar Message Based on Natural Language and It’s Application as a Multidisciplinary Art | 1601 | Jongkuk Won |
Master's |
2022 |
Sogang University | Jusub Kim |
Art & Technology |
Interstellar Message, METI, Messaging to Extraterrestrial Intelligence, SETI, Searching for Extraterrestrial Intelligence, Multidisciplinary art, Space art, SciArt |
| (RE)embodying Biotechnology: Towards the Democratization of Biotechnology Through Embodied Art Practices. | 3122 | Jennifer Willet |
PhD |
2009 |
Concordia University | Kim Sawchuk |
Interdisciplinary Humanities |
bioart, embodiment, biotechnology, art, technology, bioteknica |
| <random> search | 3123 | Ayah Bdeir |
Masters of Science in Media Arts and Sciences |
2006 |
Massachusetts Institute of Technology | Chris Csikzentmihalyi |
Media Lab, School of Architecture and Planning |
metal detector, magnetometer wand, random selection, ethnic discrimination, pat down, security screening, racial profiling, Transportation Security Administration, body frisk, security theater, intrusive search, abuse of power, abiding traveler, silent bo |
| 3D Information Place: Architecture for Virtual Place-Making and Information Navigation | 3124 | Pei-Hsien Hsu |
PhD |
2009 |
Cambridge University | Francois Penz |
Architecture |
architecture, virtuality, place, information, navigation |
| A (Dis)Connected Twenty-Six: Translation, Codes and Collage in Interactive Design | 3125 | Jessica S. Barness |
MFA Design |
2012 |
University of Minnesota | Steven McCarthy |
Graphic/Interactive Design |
interactive design, translation, alphabet, code, collage, remix, performance, media, reconfiguration, usability testing, reflective practice, emergence theory |
| A 21st Century Flâneur : Landscape, Embodiment, and Photography | 3126 | Meggan L. Gould |
MFA |
2005 |
University of Massachusetts--Dartmouth | Victoria Crayhon, Magali Carrera, Spencer Ladd |
Photography |
photography, landscape, embodiment, virtuality, google, new media, internet art, net art, language, space, interstiality, movement, visual culture, eye, camera, remixing |
| A Critical Examination of “Computer Art”:Its History and Application | 3127 | Nicholas Lambert |
DPhil |
2003 |
Oxford University | Martin Kemp |
History of Art |
Computer Art, history, theories, development, techniques, artists, |
| A design-led approach for transferring the embodied skills of puppet stop-motion animators into haptic workspaces | 3128 | Mariza Dima |
PhD |
2013 |
The University of Edinburgh | John Lee, Mark Wright |
Edinburgh College of Art |
haptics, animation, stop-motion, user interface design, HCI, experiential design, embodied cognition, |