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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Egberto Gismonti' Pianism and interpretation in his work "Sonhos de Recife" | Cândida Borges da Silva |
PhD |
2005 |
Plymouth University | Miriam Grosman |
Department of Music |
pianism; piano interpretation; egberto gismonti; frevo; brazilian music |
|
| Egberto Gismonti' Pianism and interpretation in his work "Sonhos de Recife" | Cândida Borges da Silva |
PhD |
2005 |
UFRJ Federal University of Rio de Janeiro | Miriam Grosman |
Department of Music |
pianism; piano interpretation; egberto gismonti; frevo; brazilian music |
|
| The Worlds of Entanglements: Reflection on Posthumanist Ontologies within the Art&Science projects | Masha Zolotova |
Master's |
2021 |
University of Łodź | Ryszard W. Kluszczyński |
Department of New Media and Digital Culture |
art&science, artistic research, nonhuman, ontological turn, posthumanism |
|
| A Straw Man in the Uncanny Valley | James Lawton |
2021 |
Goldsmiths University | Mattia Paganelli |
Department of Computing |
Artificial intelligence, machine learning, autonomous systems, data handling |
||
| Movies on the hemispherical screen: Fulldome, animation and experimentation | Vitor Lacerda |
PhD |
2022 |
Universidade Federal de Minas Gerais (UFMG) | Maurício Silva Gino |
Programa de Pós-Graduação em Artes |
Fulldome; Hemispherical Screen; Expanded Cinema; Planetarium |
|
| FACTORS AND ELEMENTS OF SOCIAL CHANGE IN DIGITAL ART PRACTICES. Keys to Artistic Integration with the Current Daily Environment | Ramon Blanco-Barrera |
PhD |
2020 |
University of Seville | Yolanda Spínola-Elías |
Department of Drawing |
Social Change, Current Art, Digital Art Practices, Integration Keys, Daily Environment |
|
| Scripted performances: designing performative architectures through digital and absurd machines | Oliver Palmer |
PhD |
2017 |
University College London | Stephen Gage, Peg Rawes |
Bartlett School of Architecture |
scripting, design, research by design, film making, artistic practice, absurd, philosophical absurd, theatre fo the absurd, computation, performance, installation, critical design methodology, palais de tokyo, v&a museum, internet research agency |
|
| Untying the knot of dance expertise: Enabling kinesthetic transfer in technologically-mediated spaces | Shannon Cuykendall |
PhD |
2022 |
Simon Fraser University | Thecla Schiphorst |
School of Interactive Arts and Technology |
Dance Expertise; Dance Technology; Kinesthetic Interaction; Enaction |
|
| Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement | Matthew Harkness |
PhD |
2022 |
The University of New South Wales | Katherine Moline |
Art and Design |
Bioplastics, 3D Printing, Maker Culture, Critical Making, Co-design, Actor-Network Theory, Sustainability |
|
| Matters of Concern: A Critical Investigation of Bioplastics, 3D Printing, and the Maker Movement | Matthew Harkness |
PhD |
2022 |
University of New South Wales | Katherine Moline |
Art and Design |
Bioplastics, 3D Printing, Maker Culture, Critical Making, Co-design, Actor-Network Theory, Sustainability |