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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Duchamp Meets Turing: Art, Modernism, Posthuman ? | Gabriela Galati |
Doctor of Philosophy |
2016 |
Plymouth University | Pier Luigi Capucci, Roy Ascott, Prof. Derrick De Kerckhove, Prof. Antonio Caronia |
Faculty of Arts and Humanities |
difference, repetition, digitalisation, archive, event, embodiment, technological unconscious, subjectivities, modernism, readymade, posthuman |
|
| Reanimator/Reflection: Creating Mirrors through Time with AI, Sound, Video and Live-generated Art in the Dark Age of the COVID-19 Pandemic | Eric Millikin |
Master of Fine Arts |
2021 |
Virginia Commonwealth University | Bob Paris, Paul Rucker, Semi Ryu, Wes Taylor |
Fine Arts / Kinetic Imaging |
artificial intelligence art, art and technology, sound art, video art, generative art, COVID-19, horror literature |
|
| Spatial authoring of virtual exhibitions using 3D visualization of the correlation among artwork metadata | Inhwa Yeom |
Master's |
2021 |
Korea Advanced Institute of Science and Technology (KAIST) | Woontack Woo |
Culture Technology |
3D authoring, Virtual exhibition, Virtual curation, Metadata visualization |
|
| Voice and poetry as inspiration and material in acousmatic composition | Alejandro Albornoz |
PhD |
2020 |
University of Sheffield | Adam Stanović |
Department of Music |
Acousmatic composition, voice and sound poetry, creative methods, music analysis |
|
| Silent Partnership in the Age of Smart Technology | YUEH-JUNG LEE |
Master's |
2020 |
Arizona State University | John Wise |
Communication Studies |
smart technology, silent partner, partnership, Internet of things, design principle |
|
| Qatipana: Individuation processes on the relationship between Art, Machine and Natural Systems | Renzo Filinich |
PhD |
2022 |
Valparaiso University | Adolfo Vera Peñaloza, Javier Blanco |
PhD in Interdisciplinary Studies on Thought, Culture and Society |
Media Arts, decolonial, machine, individual, Individuation, Art Ecosystems, Third Order-Cybernetics, Organology, Cosmotechnics |
|
| Eye I, Eye Us | Paulina Sierra |
2009 |
Rhode Island School of Design | Frauke Behrendt |
Digital + Media |
Reappropriation, behavior, technology, machines, mechanisms, shame, eye, blushing |
||
| The role of emotions in aesthetic perception: an integrated virtual reality eye-tracking study | Marta Pizzolante |
Master's |
2021 |
University of Trento | Luca Turella |
Department of Cognitive Science |
neuroaesthetics, emotions, eye-tracking, art |
|
| Social Practice Before the Web: Networked Media in Canadian Art | Mikhel Proulx |
PhD |
2022 |
Concordia University | Alice Ming Wai Jim |
Art History |
network art, social practice, Canadian art, mail art, telematic art, Indigenous art |
|
| On making feedback instruments lively case study: Feedback shadow | Alberto Rizzo |
Master's |
2022 |
University of Sussex | Chris Kiefer |
School of Media Art and Humanities |
feedback feedbackinstrument ultrasound cybernetics AI neuralnetworks machinelearning |