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| Thesis Title | LGA ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Reclaiming the alienated Self: An examination of maintaining the Self amid cultural and technological changes. | 3739 | Monika Dorniak |
MA Art and Science |
2017 |
Central Saint Martins, University of Arts London |
MA Art and Science, Fine Art Department |
Disembodiment, Mind and Body, Control, Anthropocene, Art and Science, Consciousness, Neurophilosophy, Human and Technology, Humanity, Postdigital |
|
| ‘Half Natural, Half Technological. Half-and-Half Is Good.’ Towards the Nonhuman Agency in Metascapes of the Natureculture. | Julia Shutkevych |
Master's |
2023 |
Central Saint Martins, University of Arts London | Francisco Gallardo |
MA Art & Science, Fine Art |
Posthumanism, Inter And Transdisciiplinary Art, Interspecies Communication, Human-Nonhuman Assemblages, Human-Nonhuman relations, NatureCultures, More-than-Human and Multispecies Studies |
|
| Cyber "Space": Exploring the Potential for Cyberdelic Art to Alter Implicit Ecological Perception | 4317 | Anna Linnea Strøe |
MA Art and Science, Distinction |
2021 |
Central Saint Martins, University of the Arts London | Heather Barnett |
Art and Science, Fine Arts Pathway |
Cognitive Neuroscience, Virtual Reality, Immersive Art, Philosophy, Spatial Cognition, Altered Consciousness |
| From Land Art to Eco Art: An exploration of Joseph Beuys’ pivotal social sculpture, 7000 Oaks – City Forestation instead of City Administration as a bridge between the two to inform the author’s developing practice. | 4236 | Phil Barton |
MA Art & Science |
2020 |
Central Saint Martins, University of the Arts London | Adrian Holme |
Art & Science |
EcoArt, Environment, Art & Science, Joseph Beuys, Land art, |
| Bondage, Defect and Computer: Hack Chains of The Human Eye | 4164 | Yang Li |
Master of Art |
2020 |
Central Saint Martins, University of The Arts London | Nathan Cohen, Heather Barnett |
Art; Visual Design; Digital art; Interdisciplinary Research |
Human visual limitation;Visual sense ; Digital art; Material art |
| Solidified Urine Research Paper - From human waste, urine and uric acid to reusable applications | 4046 | Qinming Feng |
Master of Art |
2020 |
Central Saint Martins, University of The Arts London | Heather Barnett |
Art; Material Design; Biodesign; Interdisciplinary Research |
Solidified urine; Urine; Material Design; Biodesign |
| Radical Cartographies as Cosmotechnics: Tautology and Groundlessness latent in the act of Mapping | Kentaro Okumura |
Master's |
2025 |
Central Saint Martins, University of the Arts London | Adrian Holme |
Art Programme |
Radical cartography, Cosmotechnics, territorialisation, Investigative Aesthetics, Technicity |
|
| What Goes Around Comes Around - The impact of plastic on the environment, and how artists effectively communicate environmental issues | 3755 | Hannah Scott |
MA Art and Science |
2017 |
Central Saint Martins, University of the Arts, London | Susan Aldworth |
Fine Art Programme |
Climate Change, Plastic Pollution, Microplastics, Environmental Art, Hannah Scott |
| The Paradox of Fixing the Fluid: How are Time Ans Place Explored in the work of Susan Derges and Boxer Milner Tjampitjin | Juliet Williams |
MFA |
2024 |
Central St Martins University of the Arts London | Adrian Holme |
Fine Art |
Time Place |
|
| Caliban Robot: Artificial Stubbornness Evoked through a Shakespearian Character | 3181 | Annabel Castro Meagher |
MS in Applied Information Technology specializing in “Art and Technology” |
2005 |
Chalmers University of Technology | Mats Nordahl |
Art and Technology |
Robot, character, theater, Caliban |