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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Blovels, Twovels and Cell Phone Novels: Bridges to Literature or Roads to Nowhere? | 4016 | Kathleen Wilson |
MFA |
2010 |
Vermont College of Fine Arts | Louise Hawes |
Writing for Children and Young Adults |
Digital Literature, Short Form Serial Stories with Digital Media, Interactive Digital Storytelling, Collaborative Writing with Social Media,Cell Phone Novels, Electronic Literature |
| Four Quarters of the Earth: A Heuristic-Hermeneutic Approach to World Art | 3249 | Kathleen I. Kimball |
Ph.D. World Art |
2004 |
Union Institute & University | Bethe Hagesn, John Onians, John Voll |
World Art |
world art, consciousness, feng shui, art education |
| Monster Camera: Creating perpetually unique horror experiences using disempowerment, reflection and uncertainty to imply a threat within video games | 4054 | Nicolaas Remmert Spreeth |
MA Digital Arts |
2020 |
University of the Witwatersrand | Raymond Whitcher |
Wits School of Arts |
Horror, Suspense through disempowerment, Procedural Generation, Research Tool. |
| Online Cultural Heritage: facilitating complex query making through Tangible User Interfaces | 4069 | Javier Pereda |
PhD |
2016 |
University of Southampton | Graeme Earl, Leif Isaksen, Yuanyuan Yin |
Web Science, Humanities, Art and Design |
Tangible User Interfaces, Cultural Heritage, User Centred Design, Cultural Heritage, Semantic Web, Linked Data, Human Information Interaction |
| Public News Network: Digital Sampling To Create A Hybrid Media Feed | 3371 | Jack Stenner |
Master of Science |
2003 |
Texas A&M University | Carol LaFayette, Karen Hillier, Donna Hajash |
Visualization Sciences |
Sampling, Streaming Video, OpenGL, Virtual Reality, Navigable Space, Electronic Media, Digital Media, New Media, Software Art, Digital Art, Television, Situationist |
| Phasing Loops | 3571 | Rodrigo Stromberg Guinski |
Master of Science |
2012 |
Texas A&M University | Carol LaFayette, Jeff Morris, Philip Galanter |
Visualization |
phasing, loop, animation, generative art, art; installation, video, cinema |
| Interactive Holographic Cinema | 3286 | Christopher Albert Portales |
MS |
2012 |
Texas A&M University | Carol LaFayette |
Visualization |
cinema, holographic, interactive, structured light, digital imaging, 3d, stereoscopic, holography, hologram, kinect, phantasmagoria |
| Objects Wrapped in Dreams Wrapped in Objects | 3565 | prOphecy sun |
Master of Applied Arts |
2015 |
Emily Carr University of Art + Design | Randy Lee Cutler, Maria Lantin |
Visual/Media Arts |
Dreams, objects, performativity, weather balloons, cell phone, improvisation |
| The Aesthetics of Magnetic Resonance Imaging (MRI): Setting MRI in Motion from the Scientific Laboratory to an Art Exhibition | 3540 | Silvia Casini |
PhD |
2008 |
Queen's University, Belfast (UK) | Desmond Bell, Dr. Des O' Rawe |
Visual Studies and Film |
MRI, brain, aesthetics, sculpture, image, cinema, visualization, medicine, body, laboratory, experimental subject, exhibition |
| Bioart under the lens of a Kantian microscope. | 3678 | Jessica Donato |
MASTER OF ARTS IN Contemporary Art Theory |
2015 |
Goldsmiths College | Brendan Prendeville |
Visual Culture |
Bioart- Aesthetics- Synthetic Biology- Genetics- Tradition VS Experimental use of Technology |