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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Silicone Love – Her Garden | 3960 | Chun Shao |
Doctor of Philosophy |
2019 |
University of Washington | Richard Karpen, Afroditi Psarra, James Coupe, Juan Pampin |
Center for Digital Arts and Experimental Media |
Mixed media installation, e-textiles, data-driven art, post-Internet aesthetics, Chinese gardens and Chinoiserie research. |
| Strange Relations. A design inquiry into infrastructure as topological place. | 3928 | Carl Douglas |
Doctor of Philosophy |
2018 |
Auckland University of Technology, Auckland, New Zealand | Tina Engels-Schwarzpaul, Ross Jenner |
Art and Design / Spatial Design |
Infrastructure; Public space; Landscape urbanism; Architectural theory; Architectural drawing; Auckland; Urban design |
| Counterfactualism – a new category for fine arts and humanities, dealing with the retrospective analysis of turning points in life | 3842 | Elke Reinhuber |
Doctor of Philosophy |
2014 |
University of New South Wales, Sydney, Australia | Ross Harley, Phillip George |
UNSW Art & Design (COFA) / Media Art |
counterfactual thinking, counterfactualism, forking-path narratives, decisive moment, media art, immersive environments, decision making, practice-based artistic research |
| Claiming Places: An Exploration of People’s Use of Locative Media and the Relationship to Sense of Place | 3817 | Glen Farrelly |
Doctor of Philosophy |
2017 |
University of Toronto | David J. Phillips, Lynne C. Howarth, Dr. Martha Ladly |
Faculty of Information |
locative media, location based service, sense of place, place, mobile devices, mobile media, geographic relevance, geomedia |
| A Model of Sustainable Ecosystem for Software Development, Software Business and Music Education | 3810 | Lee Cheng |
Doctor of Philosophy |
2013 |
The Education University of Hong Kong | Samuel Leong |
Department of Cultural and Creative Arts |
software development, software business, music education |
| Designing for the Mindbody in Technology-Mediated Music-Making | 3806 | Aura Pon |
Doctor of Philosophy |
2018 |
University of Calgary | Sheelagh Carpendale, Laurie Radford, Friedemann Sallis, Anthony Tang |
Music |
Music, Music Technology, Mindbody, Interaction Design, Embodied Cognition, Digital Musical Instruments , New Interfaces for Musical Expression, Computer Music |
| "A Theoretical Model for the Design of a Transcultural Visual Communication System in a Posthuman Condition" | 3787 | Haytham Nawar |
DOCTOR OF PHILOSOPHY |
2016 |
Plymouth University | Roy Ascott, Mike Phillips |
School of Art and Media, Faculty of Arts |
linguistics, writing systems, communication theory, visual communication, pictographs, semiotic theories, cultural studies, transculturalism, multiculturalism, transhuman, transhumanism, posthuman, posthumanism, singularity, artificial intelligence, unive |
| CATCH | BOUNCE: Towards a relational ontology of the digital in art practice | 3773 | James Charlton |
Doctor of Philosophy |
2017 |
Plymouth University | Geoff Cox, Deborah Robinson, Dr Michael Bowdidge |
Visual Art |
Digital, art, practice, ontology, Heidegger, Nelson Goodman, Jack Burnham, speculative realism, new materialism. |
| Live Brain-Computer Cinema Performance | 3750 | Polina Zioga |
Doctor of Philosophy |
2017 |
Glasgow School of Art | Paul Chapman, Prof. Minhua Eunice Ma, Prof. Frank Pollick |
School of Simulation and Visualisation |
Brain-Computer Interface (BCI), Live Cinema, Performance |
| Duchamp Meets Turing: Art, Modernism, Posthuman ? | Gabriela Galati |
Doctor of Philosophy |
2016 |
Plymouth University | Pier Luigi Capucci, Roy Ascott, Prof. Derrick De Kerckhove, Prof. Antonio Caronia |
Faculty of Arts and Humanities |
difference, repetition, digitalisation, archive, event, embodiment, technological unconscious, subjectivities, modernism, readymade, posthuman |