Blog | Page 27 | Leonardo/ISASTwith Arizona State University

Blog

Minister of Culture for Uruguay Recognizes Leonardo’s 50th Anniversary

The Ministry of Education and Culture is responsible for the coordination of the national education; of the promotion of the country‘s cultural development; of the preservation of artistic, historical and cultural heritage of the nation; of the innovation, science and technology and the promotion and strengthening of the protection of human rights. We congratulate Leonardo’s 50th anniversary host Anilla Cultural Latino América - Europa en Uruguay and its director Delma Rodriguez and thank the Ministry of Culture for the declaration of interest.

Announcing: Leonardo Pioneer Award to Pomona LABS publication under the leadership of Sheila Pinkel

A half a century ago, kinetic artist and astronautical pioneer Frank Malina set out to solve the needs of a community of artists and scientists working across disciplines by using the “new media” of the time: offset print publishing. As a groundbreaking, innovative venture, Leonardo represented a unique vision: to serve as an international channel of communication among artists, with emphasis on the writings of artists who use science and developing technologies in their work.

Dante at Djerassi

Dante wrote "Nature is the art of God", and we feel the art of nature here at Djerassi.  The old master wrote The Divine Comedy while in exile from his daily responsibilities in Florence, while modern master of science-based fiction Andy Weir (The Martian) channels what Dante called "forza", or  the force of action, in his thrillers.  I'm feeling a kinship with both authors as I construct my new book Continental Shift during this Leonardo-Djerassi residency in exile.

New Landscape Artwork at Djerassi

WATCH. A new landscape artwork at Djerassi ranch. This work was constructed by subtractive writing on a historic Djerassi ranch sign bearing the bullet holes of bygone days of exuberance. It invites the viewer to enter a timeless landscape by watching, and having once possessed this connection to eternity, find peace.

Misinterpreting the landscape

This year I started to use computer fluid dynamics software, or maybe better said misuse, in my art practice. So far, I have been feeding data from specific environments in technical CFD software, creating a series of simulation situations and then projecting the results back on the very same physical environment (here link to a previous work). The idea of this process was to evoke a transcendental, psychedelic and poetic relationship to the environment by means of technical and quantified imagery.