Title:
leon 56.1 - <article-title>The Politics of Visual Indeterminacy in Abstract AI Art</article-title>
Abstract
Leonardo
leon 56.1 - <article-title>Dancing with Objects: A Psychological and Neurophysiological Analysis</article-title>
Abstract
leon 56.1 - <article-title>Deserted Devices and Wasted Fences: Everyday Technologies in Extreme Circumstances</article-title>
leon 56.1 - <article-title>Dithering Eyes: Or, Correspondences with Erratic Bodies</article-title>
Abstract
leon 56.1 - <article-title>Views on Thresholds by Transdisciplinary Partners: A Shared Journey Continues</article-title>
Abstract
This article is a reflection on a journey of transdisciplinary partners from two different and unusually paired “sets” of disciplines: photography art (Silvio Wolf, SW) and cross-pollinated research in the fields of applied clinical neuroscience and psychoanalysis (Inna Rozentsvit, IR). This relationship originated in examining the “beholder’s share” phenomenon and moved on to further collaboration on the topics of “thresholds” and “visible/invisible,” as they relate to these two individuals’ personal and professional beings.
leon 56.1 - <article-title><italic>Signal to Noise Loops</italic>: A Cybernetic Approach to Musical Performance with Smart City Data and Generative Music Techniques</article-title>
Abstract
leon 55.6 - <article-title>The Work of Art in an Age of Mechanical Generation</article-title>
leon 55.6 - <article-title>The Vanitas of Sound Art</article-title>
Abstract
The author applies the concept of fermentation to sound through the prism of saturation and sonification, and studies the fermentation process as a medium and approach in sound art. He traces this medium in the works of Alexey Grachev, Rumore Bianco, Wouter Van Veldhoven, Sam Conran, and Vasily Bakanov. The article examines the history of the CYLAND Audio Archive and the formula for archiving, cataloging, and exhibiting works of sound art.