Abstract

Abstract
This article focuses on how recording, playback, and compositional spatial immersive technologies play a defining role in creating 8-channel electroacoustic compositions Moments of Liberty I–IV. Drawing from the author’s doctoral research, the article specifically explores the application of these technologies and techniques in the production of the primary sound material, its recording, and the spatial processing and articulation employed primarily to achieve a heightened sense of spatial immersion, and secondarily to enhance dramatization and musical flow.

Abstract

Abstract