Robert Maddox-Harle
Inside the Spiral: The Passions of Robert Smithson
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe
Neo-Avant-Gardes: Post-War Literary Experiments Across Borders
The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn
Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
Green Energy and Infrastructure: Securing A Sustainable Future
Jean De Groote: In de stilte van de dingen (In the Quiet of Things)
Freemasonry and the Visual Arts from the Eighteenth Century Forward: Historical and Global Perspectives
Vital Forms: Biological Art, Architecture, and the Dependencies of Life
The Prosthetic Impulse: From a Posthuman Present to a Biocultural Future edited by Marquard Smith and Joanne Morra. MIT Press, Cambridge, MA, U.S.A., 2005. 340 pp., illus. Trade. ISBN: 0-262-19530-5
How to Catch a Robot Rat: When Biology Inspires Innovation by Agnès Guillot and Jean-Arcady Meyer; translated by Susan Emanuel. MIT Press, Cambridge, London, U.S.A., U.K., 2010. 232 pp., illus. ISBN: 978-0-262-01452-6
The Human Factor: The Figure in Contemporary Sculpture
Wenda Gu: Art From Middle Kingdom to Biological Millennium
YLEM Journal: Artists Using Science and Technology edited by Loren Means. YLEM, San Francisco, CA, May-August 2006. Vol. 26, Nos 6 and 8, 27 pp., illus. SSN: 1057–2031. Journal web site: 〈www.ylem.org〉
Enfoldment and Infinity: An Islamic Genealogy of New Media Art by Laura U. Marks. MIT Press, Cambridge, MA, and London, U.K., 2010. 392 pp., illus. Trade. ISBN: 978-0-262-01421-2
The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels
Hyle International Journal for Philosophy of Chemistry
Water Sound Images: The Creative Music of the Universe by Alexander Lauterwasser. Gunter Maria Zielke, trans. MACROmedia Publishing, Newmarket, NH, 2006. 176 pp., illus. Trade. ISBN: 978-1-888138-09-2
Leo Villareal edited by the San José Museum of Art. Foreword by Susan Krane; introduction by Steven B. Johnson. Hatje Cantz Verlag, Germany, 2010. 192 pp., illus. Trade. ISBN: 978-3-7757-2656-6
An Introduction to the Social and Political Philosophy of Bertolt Brecht: Revolution and Aesthetics
Activity-Centered Design: An Ecological Approach to Designing Smart Tools and Usable Systems
Cutting Code: Software And Sociality by Adrian Mackenzie. Peter Lang, New York, 2006. 216 pp. Paper. ISBN: 0-8204-7823-7
FASTWÜRMS DONKY@NINJA@WITCH: A Living Retrospective by Philip Monk. The Art Gallery of York University, Toronto, ON, Canada, 2011. 112 pp., illus. ISBN: 978-0-921972-60-0
Symmetry Comes of Age: The Role of Pattern in Culture
Art: Key Contemporary Thinkers edited by Diarmuid Costello and Jonathan Vickery. Berg Publishers, Oxford and New York, 2007. 213 pp. Paper. ISBN: 1-84520-319-1
Zones of Re-membering: Time, Memory, and (un)Consciousness by Don Gifford; edited by D.E. Morse. Rodopi Amsterdam, New York, NY, 2011. 157 pp. Paper. ISBN: 978-90-420-3259-0
Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity
Memories Are Made of This: How Memory Works in Humans and Animals
Science as a Spiritual Practice by Imants Barušs, Imprint Academic, Exeter, U.K., 2007. 155 pp. Paper. ISBN: 1845400747
Divine Machines: Leibniz and the Sciences of Life by Justin E.H. Smith. Princeton University Press, Princeton, NJ, U.S.A., 2011. 392 pp. ISBN: 978-0-691-14178-7; ISBN: 978-1-400-83872-1
Processing: A Programming Handbook for Visual Designers and Artists by Casey Reas and Ben Fry. MIT Press, Cambridge, MA, U.S.A., 2007. 736 pp., illus. Trade. ISBN: 0-262-18262-1
The Techno-Human Condition by Braden R. Allenby and Daniel Sarewitz. MIT Press, Cambridge, MA, U.S.A., 2011. 192 pp. ISBN: 978-0-262-01569-1
Divine Golden Ingenious: The Golden Ratio as a Theory of Everything?
The Art of Setting Stones and Other Writings from the Japanese Garden
When Walls Become Doorways: Creativity and the Transforming Illness by Tobi Zausner. Harmony Books, New York, 2007. 374 pp. ISBN: 978-0-307-23808-5
A Field Guide to a New Meta-Field: Bridging the Humanities-Neuroscience Divide edited by Barbara Maria Stafford, University of Chicago Press, Chicago, U.S.A., and London, U.K., 2011. 368 pp., illus. Trade, paper. ISBN: 978-0-226-77055-0
Patrick Tresset: Human Traits and the Art of Creative Machines
YLEM Journal: Artists Using Science and Technology Loren Means, Editor. San Francisco, U.S.A. May–June 2007. Vol. 27 No. 6: “Autonomous Robots That Paint.” 16 pp., illus. b/w. Journal website: 〈www.ylem.org〉
Open Access by Peter Suber. MIT Press, Cambridge, MA, U.S.A., 2012. 230 pp. ISBN: 978-0- 262-51763-8
David Smith: Collected Writings, Lectures, and Interviews
Impossible Nature: The Art of Jon McCormack by Jon McCormack, Jon Bird, Alan Dorin and Annemarie Jonson. Australian Center for the Moving Image, Melbourne, Australia, 2004. 136 pp., illus. ISBN: 1-920805-08-7; ISBN (DVD): 1-920805-09-5.
Flatland: The Movie Edition by Edwin A. Abbott, with Thomas Banchoff and the Filmmakers of Flatland (Book and DVD). Princeton University Press, Princeton, NJ, U.S.A., 2008. 168 pp., illus. Hardcover. ISBN: 978-0-691-13657-8