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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Cell Portraits: recognising the body through representations of cancer cells in the public domain. | 3867 | Julie Light |
MA in Art & Science |
2018 |
University of the Arts, London | |||
| Mediating Reality: Challenging the authoritative voice of the natural history museum through (bio)systems art | 4078 | Colin Clark |
MA |
2020 |
University of the Arts London/Central Saint Martins | Heather Barnett |
MA Art & Science |
|
| European Avant-garde: Art, Borders and Culture in Relationship to Mainstream Cinema and New Media | 3232 | Lanfranco Aceti |
Ph.D. |
2005 |
University of the Arts London: Central Saint Martins College of Art and Design | Malcom Le Grice, Laura Mulvey |
Fine Art |
post-modern, post-human, cyborg, cyberart, ekphrasis, digital art, remediation, hybridization, esotechnology, endotechnology, trans-media, intra-media, evolutionary media |
| Processpatching, defining new methods in aRt&D | 3369 | ANne NIgten |
PhD |
2006 |
University of the Arts London, Central Saint Martins College of Art & Design, SMARTlab programme (UK) | Lizbeth Goodman, James Swinson, prof. Lynda Hardman |
media art |
electronic art, art and science, collaboration, methods |
| Computer Generated Text and Hybrid Writing: Creative and Ethical Dimensions | 4310 | Geoff Davis |
MPhil |
n/a |
University of the Arts London | Mick Grierson |
Creative Computing Institute |
Human-computer collaboration; co-creativity; generative art; writing support; natural language processing; text generation; writing tools, creativity support tools; user interface; user experience; future of jobs; employment; automation; story generator |
| Sounds Are Objects - Understanding Creativity with Sound through Embodied Cognition | 3964 | Leon Radschinski-Gorman |
MA Art and Science |
2017 |
University of the Arts London | Susan Aldworth |
Cognitive Science |
Embodied, Cognition, Conceptual, Metaphor, Synaesthesia, Crossmodal, Audiovisual, Creativity, Sound |
| Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art | 3661 | German Alfonso Nunez |
PhD |
2016 |
University of the Arts London | Michael Asbury |
Transnational Art, Identity and Nation Research Center / Art History and Theory |
digital art, art history, social history, cultural history, postwar art, contemporary art, art theory, social history of art |
| Do any illustrations of evolution by natural selection actually illustrate evolution by natural selection? | 3569 | Rebecca Price |
Masters in Art and Science |
2014 |
University of the Arts London | Heather Barnett |
Art and Science |
Art, Illustration, Evolution, Science, March of Progress, Tree of Life, Charles Darwin, Carl Sagan, Natural Selection, Inaccurate depictions |
| Lingua Extraterrestris: lessons in universal communication or the communication designer's understanding of CETI in science and fiction | 3302 | Marek Kultys |
MA |
2011 |
University of the Arts London | Ken Hollings |
MA Communication Design |
CETI, communication design, Drake equation, channel, context, contact, code, Jakobson, Shannon-Weaver, extraterrestrial intelligence, communication, interdisciplinary, science, science fiction, Arecibo message, Pioneer, Voyager, space, Strzeminski, Stanis |
| Behind the Silicon Curtain: Computer Art in the Eastern Bloc | 3637 | Todor Bozhinov |
Master of Arts |
09/01/15 |
University of the Arts Bremen | Dr. Frieder Nake |
Digital Media |
computer art, history, computing, Eastern Bloc, Iron Curtain |