Click on a column header to sort the table in ascending or descending order
| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Auditory Subcultures and Sonic Flights: In Between Sound and Space | 4143 | Alifiyah Zulfiqar Imani |
Master of Arts, Media Arts Cultures |
2019 |
Aalborg University | Morten Søndergaard, Paul Oomen |
Sound Studies, Media Arts Cultures |
sound, space, spatial sound, auditory subculture, aural architecture, reflective practice reflection-in-action, practice-based, sonic environment, sound object, acoustics, listening, ecology |
| Embodied Composition. Treatment and Meaning of Physical Object in Experimental Music and Sound Art | 3225 | Svetlana Maras |
MA in Sound In New Media |
2011 |
Aalto university School of Art and Design | Antti Ikonen, Marianne Decoster-Taivalkoski |
Sound in New Media |
experimental music, sound art, physical object, composition |
| Rhythmanalysis: an expressive method for environment/aesthetics relationship. | 3769 | Kyriakos Charalampides |
Master |
2017 |
Institute of Sonology, Royal Conservatoire in The Hague | Raviv Ganchrow |
Sonology |
Rhythmanalysis, Sonification, Sonology |
| Working Through: Characterising and Evaluating Skill with Digital Musical Interactions | 3851 | Adnan Marquez-Borbon |
PhD |
2013 |
Queen's University Belfast | Paul Stapleton, Michael Gurevich |
Sonic Arts Research Centre |
Interactive digital music systems, interaction design, skill, human factors, qualitative research |
| The Revolution is Hear! Sound Art, the Everyday and Aural Awareness | 3456 | Florian Hollerweger |
PhD |
2011 |
Queen's University Belfast | Pedro Rebelo, Prof. Michael Alcorn |
Sonic Arts Research Centre |
aural culture, technologically mediated listening, modes of listening, mobile listening, social listening, acoustic ecology, aestheticised listening, aural awareness, the everyday, sound art |
| "Alternative” Storytelling : spoken voice and narrative in sound-based works | 4070 | Hyeon Min Kim (aka Una Lee) |
PhD |
2019 |
Queen's University Belfast, Sonic Arts Research Centre | Paul Stapleton, Franziska Schroeder |
Sonic Arts |
interdisciplinary, autobiography, portfolio-based |
| Effortful Interaction: A New Paradigm for the Design of Digital Musical Instruments | 3542 | Nicholas Ward |
PhD |
2013 |
Queen's University Belfast | Gascia Ouzounian, Sile O’Modhrain |
Sonic Arts |
Digital Instrument design, human movement, design methodology |
| The Ear of the Beholder: Ecology, Embodiment and Complexity in Sound Installation | 3432 | Tom Davis |
Ph.D |
2008 |
Queen's University, Belfast. | Pedro Rebelo |
Sonic Arts |
Complexity, Embodiment, Ecology, Sonic Art, Sound Installation, Enaction |
| Experimental approach on Wind-Human collaborative crafting | 4073 | José Manuel Páez Moncaleano |
MA in Sonic Arts |
2014 |
Queen's University, UK | Paul Stapleton |
Sonic Arts |
Lutherie, wind, folk practice, interface, sound, kulturtechnik. |
| Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice | 3718 | Winnie Soon |
Ph.D |
2017 |
Aarhus University | Geoff Cox, Jane Prophet and Dr. Christian Ulrik Andersen |
Software Studies |
software; art; culture; liveness |