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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Media arts and social transformation in Chile during transition period 1990-2014 | 3671 | Valentina Montero Peña |
Phd |
2015 |
Barcelona University | Laura Baigorri |
Department Design and Image |
media art, politic, Chile |
| Art and Architectural Design in 3D User-Generated-Content Virtual Worlds: A Case Study on Second Life® | 3159 | Umut Tasa |
MA |
2009 |
Yildiz Technical University, Istanbul | Tulin Gorgulu |
Interactive Media Design |
metaverse, user-created-content, virtual worlds, art, architecture, collaboration, open-source, interactivity |
| Transductive Praxis in BioArt: Relational Ontology and Aesthetics of Nonhuman Experience | 3722 | Tyler Fox |
PhD |
2015 |
Simon Fraser University | Diane Gromala, Laura Marks, Kate Hennessy |
School of Interactive Arts and Technology |
Simondon BioArt individuation transduction milieu bioluminescence fermentation |
| Contagious Matters: The social constructs of cancer culture | 3676 | Tristan Matheson |
M.A. in Media Studies |
2016 |
Concordia University | Tagny Duff, Kim Sawchuk, Andrew Pelling |
Communication/Media Studies |
Contagion, microethnography, microculture, macroculture, vital materialism, cancer |
| Bringing the Future to Life | 3632 | Trevor Haldenby |
Master of Design, Strategic Foresight and Innovation |
2013 |
OCAD University | Greg Van Alstyne, Siobhan O'Flynn |
Strategic Foresight and Innovation |
Foresight Futures Design Experience Narrative Scenarios Alternate-Reality |
| Whimsical Bodies: Agency and Playfulness in Robotic Art | 3677 | Treva Michelle Pullen |
MA |
04/01/16 |
OCAD University | Selmin Kara, Caroline Langill, Kathy Kiloh, Nell Tenhaaf |
Art History |
art, robot, agency, play, nonhuman, wonder, enchantment, curate, whimsy, media |
| Dynamic music: the implications of interactive technologies on popular music making | 4094 | Tracy Redhead |
Research Doctorate - Doctor of Philosophy (PhD) |
2020 |
The University of Newcastle | Richard Vella |
Music |
dynamic music; interactive technologies; reactive music; contextual music; interactive music; algorithmic music; popular music; future music; generative music; adaptive music; game audio; music composition |
| Cross Connections:Online activism, real worldoutcomes | 3736 | Tracey M Benson |
PhD, New Media and Technology |
2010 |
Australian National University | Catherine Summerhayes |
New Media and Technology |
Internet, World Wide Web, Accessibility, Activism, Social Relations, Social Justice, Hacktivists,Online, Hackers, Identity, Net Activism, Tactical Media, Web Design, Virtuality, VirtualCommunities, Refugee, Borders, Alienation, Censorship, Blogging, Mass |
| Crosswise: Sharing Goals, Sharing Time | 3196 | Tor de Vries |
MFA |
2005 |
Parsons School of Design | David Kanter, Michael Gurstein (NJIT) |
Design & Technology |
Community informatics, information visualization, data analysis, cooperative planning, sociology, event calendars |
| The Culture and Phenomena of Cineclubs during Sixties in Yugoslavia and Influence of New Tendencies on GEFF Festival | 3429 | Tomislav Brcic |
Magistery work |
2006 |
Universita' di Bologna | Monica Dall'Asta |
Department for Arts, Music and Spectacular Disciplines |
film, abstract, experimental, GEFF, history, cinema undergrund, avanguard, author, antifilm, contrafilm, subversive film, structural film |