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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Bodily Resonance: Exploring the Effects of Virtual Embodiment on Pain Modulation and the Fostering of Empathy toward Pain Sufferers | 4229 | Xin Tong |
PhD |
Spring 2021 |
Simon Fraser University | Diane Gromala, Chris Shaw, Dr. Dave Fracchia |
Interactive Arts and Technology, Human-computer Interaction |
chronic pain; virtual reality; virtual embodiment; sense of ownership; sense of agency; empathy |
| Research on Web-based Product Co-Design and Brand Value Co-Creation | 4172 | Xin Kang |
PhD |
2021 |
National Taipei University of Technology | Wenyin Chen |
College of Design |
Co-Design, Co-Creation, Value co-creation, Consumer-based brand equity, User-generated content, User-generated brand |
| An Interactive Environment derived from commuters' memories of the soundscape: a case study of the London Underground. | 3738 | Ximena Alarcón-Díaz |
PhD |
2007 |
De Montfort University | Leigh Landy, Brian Brown |
Music, Technology and Innovation |
soundscape, collective memory, London Underground, sonic art, ethnography, multimedia art, commuting experience, Internet based art |
| Unraveling the Fundamental Aspects of Enzyme-powered Microrobots | Xavier Arqué |
PhD |
2023 |
University of Barcelona | Samuel Sánchez |
Smart Nano-Bio-Devices Lab (Prof. Samuel Sánchez) in the Institute for Bioengineering of Catalonia (IBEC) |
Microrobot, Nanorobot, Self-propulsion, Active Navigation, Microscopy Visuals, Active Motion, Enzyme, Biocatalysis, Active Matter, Micromotor, Nanomotor, Biochemistry, Silica, Urease, Catalase, Microswimmer, Nanoswimmer |
|
| ocean_v1 | 3338 | Wolf Nkole Helzle |
Akamatsu received his Ph.D. in fine arts from Kyoto City University of Arts |
2006/2008 |
International Academy of Media Arts and Sciences (IAMAS), Ogaki, Japan | Dr. Frieder Nake, Bremen, Germany |
Interactive Media Installation |
ocean, faces, interactive, mirror, database, camera, 60 fps, media art, collaboration, face recognition, eye detection, visitor, humanity |
| Executing Liveness: An examination of the live dimension of code inter-actions in software (art) practice | 3718 | Winnie Soon |
Ph.D |
2017 |
Aarhus University | Geoff Cox, Jane Prophet and Dr. Christian Ulrik Andersen |
Software Studies |
software; art; culture; liveness |
| The Representation of the Monstrous Feminine in the Selected Works of C.S. Lewis, Roald Dahl and Philip Pullman (PhD thesis module 2.1) | 3455 | Wing Bo TSO |
PhD |
2010 |
The University of Birmingham | Murray Knowles, Carmen Rosa Caldas-Coulthard |
School of English, Drama and American & Canadian Studies |
Abject, monstrous feminine, mythology, children's fantasy |
| Synaesthetic Sanctuary | 4288 | William Shaw |
Masters of Design Innovation |
2021 |
Victoria University of Wellington, School of Design | Anne Niemetz |
Media Design |
Audio-visual, bird song, New Zealand, generative design |
| One Part Art: Expanding the Topography of ArtScience in the American Cultural Sector | 3342 | Whitney Dail |
MA Arts Administration |
2012 |
Savannah College of Art and Design | Chance Farago, James Lough, Alexandria Pierce |
Arts Administration |
interdisciplinarity, steam, artscience, collaboration, advocacy, culture, cultural institutions, cultural sector, nonprofit, organizations, hybrid |
| Biomateria--Biotextile Craft | 3670 | WhiteFeather Hunter |
MFA |
11/01/15 |
Concordia University, Montreal, Canada | Tagny Duff, Ionat Zurr |
Studio Arts: Fibres and Material Practices |
biomaterials; textiles; craft; bioart |