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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Fragile Virtuosity: The Human Voice at the Center of Performance and Technology | 3250 | Michelle Kasprzak |
Master's |
2006 |
Université du Québec à Montréal | Éric Raymond, Kim Sawchuk, Gisèle Trudel |
Visual and Media Art |
voice, performance, speech, error, repetition, devotion, perfection, virtuosity, falconry, Stenomask |
Microsound, spectra, and objectivity: tracing memetics in organised sound | 3711 | Vincent Giles |
Doctor of Philosophy |
2016 |
University of Melbourne | Peter Roger Alsop, Alistair Riddell |
Victorian College of the Arts |
memes; memetics; music composition; philosophy of organised sound; philosophy of intention and reception; organised sound; sonic art |
Design Intervention in Bhuvan | 4281 | RAM RAJ VISHVAKARMA |
Master of Design |
2020 |
78 | Tripti Singh |
User Interface Design |
ISRO, Bhuvan, NRSC, Geo-Portal, Visual Communication Design, User Experience Design, User interface Design, Design Language, Design Standards, Maps, Material Design. |
Organic Urbanism and the Implicate Order: Understanding Urban Patterns Through the Geometries of Nature | 3347 | Maria Rosália Guerrerio |
PhD |
2011 |
ISCTE - University Institute of Lisbon | Maria José Roxo |
Urban Design |
Systemic thinking, Complexity, Emergence, Self-organization, Fractality |
Counterfactualism – a new category for fine arts and humanities, dealing with the retrospective analysis of turning points in life | 3842 | Elke Reinhuber |
Doctor of Philosophy |
2014 |
University of New South Wales, Sydney, Australia | Ross Harley, Phillip George |
UNSW Art & Design (COFA) / Media Art |
counterfactual thinking, counterfactualism, forking-path narratives, decisive moment, media art, immersive environments, decision making, practice-based artistic research |
Computer Art and ActorNetwork Theory: Actants and Intersubjective Associations in Scene | 3724 | PRAUDE, Carlos Corrêa. |
PhD |
12/21/15 |
Universidade de Brasília, Brasília, Brazil. | Suzete Venturelli |
Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes. |
Actor-Network Theory, Informational Aesthetics, Computer Art, Art and Technology, Art. |
Messlife, An Online DIY Warehouse Art Space | 3772 | Lee Tusman |
MFA |
2017 |
UCLA | Lauren McCarthy, reas@ucla.edu, eddostern@gmail.com, jsteinkamp@ca.rr.com |
UCLA Design | Media Arts |
online community, DIY artspace, jamming |
Languages of Russian and Chinese narrative video art | 3544 | Victoria Marchenkova |
PhD in arts |
2013 |
RSUH | Kolotaev, Vladimir Alexeevich |
TV-, film and other Screen arts |
video art, contemporary art, Chinese art, Russian art, media, cross-cultural analysis, post-socialism, narrative |
Insight.me: Enabling a collaborative use of healthcare data | 4020 | Falcão Duarte, Carolina |
MSc |
2019 |
TUDelft | Romero Herrera, Natalia, |
TU Delft Industrial Design Engineering |
Strategic Design; healthcare design; Design study |
Between Technophilia, Cold War and Rationality: A Social and Cultural History of Digital Art | 3661 | German Alfonso Nunez |
PhD |
2016 |
University of the Arts London | Michael Asbury |
Transnational Art, Identity and Nation Research Center / Art History and Theory |
digital art, art history, social history, cultural history, postwar art, contemporary art, art theory, social history of art |