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Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
---|---|---|---|---|---|---|---|---|
Women Online: Is self-representation enough to tip the scales of femme visibility within dominant cultural narratives? | 3775 | Amanda Stojanov |
Master of Fine Arts |
2017 |
University of California Los Angeles | Jennifer Steinkamp, Henri Lucas, Chandler McWillaims |
Design Media Arts |
women, online, self-representation, femme, visibility, digital, narratives, narcissim, power |
PARABOLA-IMAGO: Creative Transmutations between Verbal and Visual Signs. PARABOLA-IMAGO: Transmutações Criativas entre o Verbal e o Visual. | 3350 | Agnus Valente |
Master's Degree in Art |
2002 |
University of São Paulo, Brazil | Julio Plaza Gonzalez |
Arts Department - School of Communications and Arts - ECA/USP |
word and image intersemiosis; visual arts, semiotics; intertextuality; open work; metalanguage; concrete poetry; heuristic methods, visual poetics, intersemiose palavra e imagem; artes visuais, semiótica; intertextualidade; obra aberta; metalinguagem; po |
Art of Women: The Depression, Labor, and War | 3162 | Hatice Brenton |
MFA |
2003 |
Goddard College | Ruth Wallen, Susan Schantz |
Interdisciplinary Arts |
working women, painting, photography,documentary-based art, collage, digital art, sweatshop exhibition |
Four Quarters of the Earth: A Heuristic-Hermeneutic Approach to World Art | 3249 | Kathleen I. Kimball |
Ph.D. World Art |
2004 |
Union Institute & University | Bethe Hagesn, John Onians, John Voll |
World Art |
world art, consciousness, feng shui, art education |
Noto, Source Han & Plex: The language of America’s Korean fonts | Michelle Devlin |
Master's |
2023 |
Royal College of Art | Emily Candela |
Research & Innovation |
Writing as Practice, digital marketing, language, decolonization, Korean fonts |
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