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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Wildly Oscillating Molecules of Unanticipated Momentum: Nanoscientific imaging, technological mediation and the moving image. | 3948 | Andrea Rassell |
Doctor of Philosophy (PhD) |
2019 |
RMIT University | Jonathan Duckworth, Adrian Danks, Sharath Sriram |
Media and communications |
Nano art |
| Whimsical Bodies: Agency and Playfulness in Robotic Art | 3677 | Treva Michelle Pullen |
MA |
04/01/16 |
OCAD University | Selmin Kara, Caroline Langill, Kathy Kiloh, Nell Tenhaaf |
Art History |
art, robot, agency, play, nonhuman, wonder, enchantment, curate, whimsy, media |
| When CRISPR Meets Art. The Experience of Relationality Through the Affective Agency of Matter | 3728 | Lotte Pet |
MA |
2016 |
Leiden University | dr. Robert Zwijnenberg, Amalia Kallergi |
Arts and Culture / Contemporary Art and World Art Studies |
bioart; CRISPR; human enhancement; genetic engineering; relationality; affect; agency of matter |
| WHAT TOUCHES US, WHAT WE TOUCH: EMERGENT MATERIALS TO THE TEST OF CONTEMPORARY ART. | 3525 | Dominique GONIN PEYSSON |
PhD |
2014 |
Paris 1 Pantheon Sorbone | Olga Kisseleva |
Contemporary art |
emergent materials, smart materials, responsive materials, physics, shape, hylemorphism, tangible, interactivity, complexity, matter and life, ethics, |
| What Goes Around Comes Around - The impact of plastic on the environment, and how artists effectively communicate environmental issues | 3755 | Hannah Scott |
MA Art and Science |
2017 |
Central Saint Martins, University of the Arts, London | Susan Aldworth |
Fine Art Programme |
Climate Change, Plastic Pollution, Microplastics, Environmental Art, Hannah Scott |
| What does the Internet look like?: Models of Planetary Scale Computation | 4307 | Ekaterina Kormilitsyna |
MRes ( Master of Research) in Art and Design |
2020 |
Cardiff Metropolitan University | Stephen Thompson |
Art & Design |
digital worldbuilding; politics; aesthetics; aesthetics of politics; digital agency |
| What are the metaphoric and spatial implications of a paranoid technological gaze? | 3509 | Martha Patricia Niño Mojica |
MA Digital Art and Technology |
2007 |
University of Plymouth, U.K. | Mike Phillips |
Media Arts |
gaze, technology, metaphor, telematic, robot |
| Waste media pedagogy: Soundscape composition as responsive spatial practice | 3633 | Pietro Sammarco |
M.A. |
2015 |
Simon Fraser University | Stuart R. Poyntz, Barry Truax |
Communication, Art & Technology: School of Communication |
Soundscape composition, Media education, Waste management, Recording, E-waste, Listening publics |
| Walking with portable projections : a creative exploration into mediated perception in the environment | 3712 | Rocio von Jungenfeld |
PhD |
2016 |
University of Edinburgh | Chris Speed, Simon Biggs |
Edinburgh College of Art |
portable projections, walking, participation, portability, textures |
| Voice Interfaces in Hypermediatic Environments | 3508 | Martha Carrer Cruz Gabriel |
Master's Degree in Art |
2006 |
University of Sao Paulo, Brazil | Silvia R. Laurentiz |
School of Communications and Arts |
interface, voice, web, hypermedia, art, telecommunication, voicexml, voice recognition, speech synthesis |