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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| Aesthetics & Art in the Early Development of Human-Computer Interfaces | 3141 | Nader Salha |
PhD (Dr. -Ing.) |
2012 |
University of Bremen | Dr. Frieder Nake, David Canfield Smith |
Computer Science |
Human-Computer Interaction (HCI), Aesthetics, Art, user interface, GUI, Interaction design, post-usability |
| Aesthetics and Hyper/aesthetics: Rethinking the Senses in Contemporary Media Contexts | 3142 | Melanie Swalwell |
Doctor of Philosophy |
2002 |
University of Technology, Sydney | Norie Neumark |
Faculty of Humanities and Social Sciences |
senses, aesthetics, technology, affect, intensity, hyper, experience, experimentation, LAN, games, shock, anaesthetics, innervation, audience |
| Aesthetics of seams. The emergence of media properties | 3623 | Alessio Chierico |
MA |
2016 |
Kunstuniversität Linz (Austria) | Christa Sommerer, Laurent Mignonneau, Martin Kaltenbrunner |
Interface Culture |
aesthetics, representation, interpretation, digital ontology, materiality, seamless, seamful |
| Aesthetics, Writing, Networked Computers | 3143 | Joerg Mueller |
PhD |
2005 |
European Graduate School (EGS) | Dr. Wolfgang Schirmacher, Avital Ronell, Diana Davis |
Communications |
aesthetics, aisthesis, computer, computing, intuition, cultural technology, writing, senses, sensible, complexity, logic of sensation, affection, cellular automata, Universal Turing Machine, cybernetics |
| aether: an experiment in the phenomenology of reading | 3144 | Erik Conrad |
M.S. Information Design and Technology |
2002 |
Georgia Institute of Technology | Sha Xin Wei, Ken Knoespel, Stephanie Strickland |
School of Literature, Communication and Culture |
tactile vision, experimental documents, reading, interaction design, interactive art |
| Affect and the experimental design of domestic products | 3613 | Guy Keulemans |
PhD |
2015 |
University of New South Wales | Katherine Moline, Anna Munster |
Art & Design |
afffect; design; products; experimental desgn; hylomorphism; sustainability; environment; production; consumption; consumerism; repair; anomaly, industry, manufacturing |
| Affection Research Lab: Affection Stations & The Signal Archive | 3145 | Salvador Orara |
MFA |
2012 |
Art Center College of Design | Philip van Allen, Shannon Herbert, Elise Co, Mike Milley, Casey Anderson, and Norman Klein |
Media Design |
Affective Computing, Mythological Interaction, Sound, Noise |
| Affective Enactive Systems in Art and TechnoScience: Vital Experiences of Displacement in the City | 3628 | Tiago Franklin Rodrigues Lucena |
PhD |
2013 |
University of Brasilia | Diana Maria Gallicchio Domingues, Ramesh Raskar |
Art Institute |
Art and TechnoScience. Bioart. Affective Enactive System. Displacements. Physiological Sensors. Ubiquity. |
| AFFECTS: Intermedial Images between Art, Philosophy, and Science | 3146 | Julainne S. Sumich |
Doctorate in Fine Arts |
2006 |
The University of Auckland, New Zealand | Carole Shepheard, Bruce MacDonald |
Fine Arts |
affect, intermedial, images of thought, autonomic response to novelty, conceptual fusion |
| Afjordance | 4196 | Rachel wolfe |
MFA |
2019 |
Independently created |
affordance, technology, vision, imaging, remote viewing, embodied cognition, algorithm, music, sound |