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| Thesis Title | LABS ID | Author | Degree | Year | University | Advisor(s) | Department/Discipline | Keywords/Fields of Study |
|---|---|---|---|---|---|---|---|---|
| A New Approach in the Visualisation of the Six Regular Polytopes* | 3537 | Chris Foster |
MSc(Res) |
2014 |
Leeds Metropolitan University | Reinhold Behringer, Sean Wilcock |
Computing and Creative Technology |
Vector Graphics, Design, Four Dimensions, Wireframe, Polytope, Geometry |
| A Perceptual Approach to Audio-Visual Instrument Design, Composition and Performance | 3727 | Adriana Sá |
PHD |
2016 |
Goldsmiths, University of London | Atau Tanaka, Mick Grierson |
Dep. of Computing |
NIME, audio-visual performance, music, 3D environments, perception, attention |
| A planetary myth: exploring hypermedia | 3130 | Cláudia Martin Nascimento |
Masters of Aesthetics and Art History |
2007 |
São Paulo University - USP, Brazil | Artur Matuck |
Interactive Digital Media |
mythology, myth, hypermedia, hypertext, narrative, structure, web, time, space, symbology, meaning, multilinearity |
| A Portfolio of Original Compositions | 3131 | Orestis Karamanlis |
PhD |
2010 |
Queen's University Belfast | Paul Wilson |
Department of Music & Sonic Arts |
Composition, Music, Electroacoustic, Acousmatic, Electronic Music |
| A postcolonial critique of industrial design: A critical evaluation of the relationship of culture and hegemony to design practice and education since the late 20th century. | 3528 | Taslima Begum |
Doctor of Philosophy |
2015 |
University of Plymouth | Dr. Michael Punt, Robert Pepperell, Prof. David Smith |
Arts and Humanities, Design Philosophy |
Industrial design, technology, postcolonial studies, culture and hegemony, design history, theory, practice and education, trans-cultural, inclusivity, globalisation |
| A Practical Investigation of Expectation in Acousmatic Music | 3815 | Louise Rossiter |
P.hD |
2017 |
De Montfort University | John Young, Simon Emmerson |
Music/Music Technology |
acousmatic music; expectation; composition, music psychology |
| A practice-informed critique of technological posthumanism and its ideologies | 3132 | David Cecchetto |
Ph.D. |
2010 |
University of Victoria | Stephen Ross, Steve Gibson |
Interdisciplinary (English/Visual Arts), concentration in Cultural, Social, and Political Thought |
posthumanism; technology and culture; sound art; deconstruction; media art; aesthetics |
| A Prelude to the Parametric Courante | 3133 | Guang Zhu |
Master of Professional Studies |
2012 |
New York University, Tisch school of the Performing Arts | Heather Dewey-Hagborg |
ITP_ Interactive Telecommunication Program |
parametric equation, visualization, archeology, art |
| A Procedural Model for the Integration of Physical and Cyberspaces in Architecture | 3134 | Peter Anders |
Ph.D. |
2003 |
University of Plymouth | Roy Ascott, Michael Phillips, Michael Punt |
Department of Computer Sciences, Planetary Collegium Centre, Architecture/Design |
cyberspace, mixed reality, architecture, art, virtual reality, design, augmented reality, design computing |
| A Reactive Brain Computer Interface: a novel sonification and visualization approach evoked by illusions | 4075 | Marlene Mathew |
PhD |
2020 |
University of California, Santa Barbara | George Legrady, Tobias Hollerer, Alenda Chang, Andres Cabrera |
Media Arts and Technology |
Brain Computer Interface, Visual Evoked Potential, Optical Illusion, Sonification, Visualization, Visual Perception |